The Aesthetic of Compositional Perfection and Post Production
by davidbrommer
I’m one of those odd people who throw on a heavy backpack and hike in the woods for days. I have been doing it for a long time now, at least 25 years. I have a dwindling network of friends who I go on these hiking trips and we fancy to call our selves Trailpounders. Among all the miles I have hiked in pristine wilderness across many states I am reluctant to carry a cameras, or serious one at least. The reason being weight, and getting the picture right. Cameras can weigh quite a bit, and add to that good lenses so that you can make high quality photographs is daunting when you’re crossing mountains and pushing every fiber of your body to keep moving up switchbacks.
I have been tasked by B&H & Sony to create a program on the RX10. The focus of the program will be, “Travel Composition with the RX10”. To prepare for the program I have been shooting exclusively with the RX10 and pushing what it can do while learning what it cannot do. I’m familiar with the camera, and those who follow my blog will recall the initial review of the RX10 I wrote and shot a little under a year ago.

Elderly folk appreciating the park. They moved slow, but stuck a cord inside me. America’s National Parks are for everyone, every age.
This past weekend the Trail Pounders planned a four day hike in the beautiful Shenandoah National Park. Since I was working on material for the presentation, I figured this would be the perfect place to shoot with the RX10 and put it to test doing some nature photography. I would suck up the weight (1.79 lb / 813 g with battery and memory card) and stuff the camera in my trusty Moutainsmith Frost Fire pack.
The trip was excellent and pretty heavy duty. I’m not getting any younger and that pack isn’t getting any lighter. I felt I could have reached for the camera more often, but hiking (especially in a group) is an act all of its own. We managed to traverse about 17 miles in three days which didn’t afford me much lens time. On the trail we crossed a pine covered mountain top (Neighbor Mountain) and ran the ridge. I came across these interesting pine cones that had survived a fire, called a pack break and took some photos. I did my “composition dance” and moved around trying to find that perfect angle to capture the pine cones, you know that angle, the one with a perfect background and every branch facing the right direction? Well I couldn’t find it. I just couldn’t get the lens, the pine cone, and what I wanted to capture groove.
As I sat editing I thought, “I was so close… but darn those extra branches”… I saw them when I shot and figured they would not cut my mustard. It was then that I figured I’d work them in post and try to rescue them. This wouldn’t be retouching per sey , but more compositional rescue. I busted out my trusty Wacom table and set to it. After the image was cleaned up I ran it through Silver FX and finished it to my personal standards.
Did I succeed? Did I just polish a turd? I always joke that I have taken so many bad photographs that when I do shoot now, it’s with a great intensity to only shoot what is decent if not compositionally perfect. But now, when the world is simply not cooperating it might be safe to shoot the best you can, and then do some very heavy post to get it right. Ethically I’m not 100 percent behind this, but I do feel good that at least the option is open. What do you think?
Here are a few more from the first edit. I shot in jpeg and used the creative modes that are built into the RX10 such as “Autumn Leaves” and “B&W”. Each image is taken into Photoshop and massaged.

Hiker JA- one of the Trail Pounders founders. Note, a circular polarizer was used to clear up the water behind Joe.
I’ll post a link to the RX10 Presentation when it goes live. If you don’t live near NYC, we will be recording the presentation and I’ll post that too.
Till then, this Trail Pounder is signing off!
Beautiful photos. I’m impressed with the quality you’re getting out of the little Sony. I have done a fair amount of hiking myself and the last big hike I did (50+ miles in Yosemite) were with a Sony a7 and a mid-sized tripod. The photo opportunities on a hike like that are myriad. No way I’d want to do that trip without a good camera and sturdy support.
I just came across your website a few weeks ago, but I’ve enjoyed reading through your older posts and look forward to seeing more from you.
Thank you Matt. On my about page a few videos you might enjoy as well. You are very brave taking a tripod- are you doing night photography? The A7 is wonderful in low light.
I brought a a Gorilla pod and then, never used it.
No, I haven’t tried much night photography with the a7, but perhaps I should. I do have a fondness for very sharp pictures, though, so the tripod is often a requirement for me.
Thanks for the heads up on the videos. I’ll check them out.
P.S. – Your tent looks like it’s in amazing shape. You must be taking good care of it.
My tent thanks you. It is a little stinky tho, and the bungee in the poles are not elastic anymore, but the tent is still solid and water proof. Eureka makes good stuff.