Suspect Photography

words and images from david george brommer

Reinvigorate with Drone Photography and Fly Like an Eagle

Lago Trasimeno, Italy.

I purchased my first drone in 2018, the original DJI Mavic Air in red. I had a co-worker at B&H show me the ropes and then took the drone to Italy. For the first few flights my hands were shaking like a hound dog passing peach pits! It was truly exciting to take a camera into the sky and then apply years of early video game training to fly it over a mile away- so far that I quickly would lose sight of the little red drone.

Castello di Montecchio Vesponi, Italy
Small Castle and Olive Grove above Punta Bella, Italy

Aside from fear of crashing I was dumbfounded by the choice of either video or still. When I started droning I leaned heavily into video and even upped my Adobe account to include Premier. I put together a Tuscan countryside video that was quite basic and filled with mistakes. However among those mistakes were gold- I was learning to see like an eagle if not fly like one.

The End- Montauk Light House, NY

Drones can see straight ahead and at any angle completely down. It was the “completely down” that blew me away. Drones are smart, in that they know where they are in space (thank you GPS satellites). They can hover and remain stationary or they can fly upwards of 40 MPH in “sport mode”. What I found most appealing from a photographic perspective is hovering in cinema mode. Cine mode makes the drone move very slowly, like a slow camera pan. In still photography it allows for precise micro adjustments of the composition.

South End of Manhattan with Staten Island Ferry, NYC 2020

So get this, you are controlling a camera in the sky (400 foot ceiling as per FAA) over a mile away and making slight adjustments for framing while using altitude as your zoom. That is very exhilarating and empowering. You are now not limited to the perspective afforded by being grounded. Technology is wonderful!

Hay Rolls in a Tuscan Field
By lowering altitude you can “zoom” in a on detail or rotate to alter the entire composition.

During the pandemic I bought the DJI Mavic Mini and used it on the quiet streets of Manhattan to document the amazing city. The Mini is under 50 grams and no licenses are needed to fly it, so it was perfect for my urban explorations.

Brooklyn Bridge Morning, NYC 2020
Brooklyn Bridge view towards Brooklyn (note the low covid traffic), NYC 2020

I’ve walked past this skate park at least 1000 times but when I viewed it from above I discovered a geometry and texture that remained unseen from the ground.

Chelsea Piers Skate Park, NYC 2021
Lower Altitude with Skaters
300 % Crop of the above photograph

Sometimes great surprises can occur when you are droning that being on the ground would go unnoticed like this message in the corn fields of Warwick NY in the fall of 2020.

Corn Maze, Warwick NY 2020

Much like a view camera, there are a number of steps to ensure you achieve the image you want. Forget one step and you blow you chance or worse, crash the drone. Here is my “Pre-Flight Checklist” to ensure a successful, fruitful flight with the Mavic Air first gen.

Pre-Flight Check List Done in Water Color

The Mavic Mini is my faithful companion in rural italy where I can fly it safely and see a whole new landscape from above. I keep it in Tuscany, and look forward to a new generation of Mavic to purchase soon. Each release of the Mavic series from DJI just gets better and better. I find it thrilling and what’s really amazing is that it represents a whole new way of seeing that is accessible and relatively wide open to anyone who doesn’t have a fear of flying.

Delaware Water Gap, NJ 2021

Stay tuned for Part Two, Droning with Video.

The Ultimate Light for the iPhone- Profoto C1+

PROFOTO C1+ Review

September 18th Profoto released the next big thing, a flash & continuous light designed for iPhone. I was lucky to be invited along with a hand full of NYC photographers by Clifford Pickett for a hands on demonstration and photowalk around the SoHo neighborhood of NYC testing the C1+.


It’s a very interesting development for mobile photography and has some unique features that I really enjoyed and thought were well thought out. Like any Profoto product, it is very well made and has a great feel in the hands. Profoto is arguably the best lighting system in the world, and I truly believe that. Aside from all the gear always made in black there is a plethora of facts to support my statement. Profoto light modifiers are hands down the best light modifiers and the C1+ accepts all the mods made for the A series. They attach smartly with magnets and as expected, perform very well. The C1+ ships with a light dome to mimic solar light. You can remove the dome and the light becomes slightly more defined. There is a sturdy 1/4 socket for the light to be attached to a light stand (you’d want a swivel umbrella adaptor to make best use). Clifford tested it with an umbrella and the light was quite nice.

You can’t use the native camera app, you have to download the Profoto app to synch the light for flash photography. (edit: compatible with the huawei native camera app for the P30 series)The app is only available for IOS (iPhone 7 and up), no Android support yet (more proof the apple iPhone is better than android). You could use it in continuous mode with the native app, just not for flash. As expected, the Profoto app is very professional and lets you control exposure, white balance (color temp), zoom and adds a timer. Currently, portrait mode is not supported but the engineers are on it (I simply love portrait mode and can’t wait for that to be supported).


So as photographers we want control, and below is a series of portraits made of the fellow photographer Claudia Paul on the photowalk. I took a series of photos at different exposures using the “exposure slider” on the app. I posted images from screen shots of the app so you can see the exposure variance.


This was my favorite, and it has been slightly edited in Snap Seed.


What I really liked was the camera release – shutter release – trigger  on the flash itself, so you can hold your camera in one hand, the flash in the other and shoot very naturally. How many of us have held the camera out, triggered it only to have the camera turn off! Or worse yet, just fumble. I really can’t express how natural it is to use the flash this way, it’s a true evolution of iPhoneography!

The unit comes two ways, the C1 and C1+. C1 is $300 and does not support TTL in the Profoto system. The C1+ is $500, has better battery life and supports the Profoto air remote and can be integrated into the Profoto TTL family of flashes. This is key, any one who has a Profoto system will enjoy being able to put this light where other lights can’t go. Think behind a shelf, a couch, a small corner… the applications are endless. When I was a young photographer I recall an older photographer training me on a wedding and he produced a cheap small flash with a synch on it, and called it a “peep” flash, it was used where we couldn’t fit the big flashes and it provided just a little bit of fill flash where needed in tight areas.


Characters on the streets of NYC! Notice the catch light in his eyes and emphasis on the gold teeth. With out a light this would be a much duller photograph.

Now it’s not really a flash as we know it, there is no manual and no high synch flash. It has limitations because it’s a manual simulation to bias to the automatic limitation of mobile photography. You can’t lock in an exposure. I did find exposure to be slightly erratic. I’m trained in zone system and chrome shooting, so I found that disconcerting, but it’s really ok, because it’s still iPhone and the spirit is wonky to start with. You can’t freeze fast moving subjects like with a traditional flash. Recycle time is about 1 second or so.


Steve Simon’s son came along, after this shot, I warned him to keep his tongue in his mouth when in NYC. #germs #cutekids #scaryphoto

Here are three images to illustrate how it helps with back lit subjects.  The image on the left is adjusted with the slider in the native iPhone app, the middle with no adjustment , and the right image with the C1+ providing fill light.


Overall I think this light is a game changer, and as the app continues development it will be clutch as a tool for the iPhone photographer to keep in their pocket. It takes some getting used to, but once you master the usage and interface, it’s a wonderful tool to enhance your iPhone work.

The truly best part of the photowalk? We got to keep the flashes! Thanks Profoto, I look forward to using this with my iPhone work in the future.



NYC for Beto Phone Bank 3 Days Before the Mid-Terms


I’m lucky to engage in many interests and am part of a community to each one. They are varied, and one of them, paintball, tends to sway to the political right side, the other, table top war-gaming, swings left. I wont get into the nuances of each, suffice to say I am passionate about each activity, and my social media reflects it. I hear from the right views and I hear from the left. Like most of us, I tend to shout on social media because of the polarizing politics of post 911 America. Those who either regurgitate (re-post memes), spew, pulpit (virtue signalling), express, state, and declare tend to do it in an echo chamber of like minded people.  I’m guilty of that, and I’m proud to state that due to interests listed above, I have followers from both sides, so occasionally a good dialog occurs.

IMG_8528 2

That being said, I am keenly aware that stating your political views on social media may be cathartic, but it really isn’t changing anything. After two years of Trump America, I decided I’d be more involved. Summer of 2018 I discovered a Gen X Texas Congressman who was running for Ted Cruz’s Senate seat, Beto O’Rourke. Ironically I got turned onto Beto by following an article about how Cruz’s campaign sought to demean Beto by posting shots of him when he was playing in a post punk Grunge band and the pics went viral because apparently Beto was hot. I fell down an internet rabbit hole of Beto and learned quite a bit about him. He’s a Texan, I agreed with his platform and the way he expressed himself. I felt a kindred spirit in Beto and shared as much on Social Media. I spread the word, but wanted to do more. My “politik” friend, Justin Heyman and I had long talks. He is a more experienced activist than I, and outlined what could be done; mailing post cards to swing voters in Texas, donating to campaigns, and phone banking.


I committed to all three and am a Beto backer in earnest. I joined a phone bank taking place in a Chelsea design studio, Stonestreet Studios. When I confirmed for the phone bank the option to post on Face Book was offered, my feed motivated two others to attend.

Justin exclaimed, “Democracy is contagious”.



The phone bank experience was euphoric, instead of screaming into a contained cyber space, you are directly connecting with real people whose votes matter to advance an individual you believe in. This particular phone bank was located 5 blocks from my home, and took place from 5 pm to 8 pm. Three hours given to democracy is a meager sacrifice in any estimation, but sometimes actions can snowball into something far larger. On this gambit I set off as instructed, a MacBook air and iPhone in hand. I emerged out of an elevator into a working studio filled with young women, young gay men, and the heady air of hope. We introduced ourselves by stating our names and why we were here. The women where concerned about the right for them to receive healthcare and governance over their bodies. The gay men worried over the homophobic tone of national conversation.  I smelled a little fear on a few, but overall the tone was of warriors out for blood and ready to battle. Ted Cruz was detested unanimously and everyone knew what was at stake,

Beto had narrowed the gap and Texas may very well turn blue.

Victory was in sight, but not in hand. The hosts who lead the phone bank explained as much, backed up by being in Texas the week before canvassing. There was an excitement in the air as the process was laid out for us.


This night would prove to be “throw your jacket down on the ground democracy”. We packed couches, crevices, desks and studio floors to make calls.


A script we were told to follow (it was known that you could deviate wording as your confidence in the message grew) that essentially started off as informing the Texan recipient that there is an election on Nov 6th and could Beto count on them to vote for him. Upon a confirmation you would then go into determining from them a plan to vote. How would you get to the polls? Before work, or after work? you know, “the polls are only open from 7am to 7 pm”. One of my 50 calls that night I connected with a woman who didn’t know her polling location. I took her address, located her polling location on line then asked her to get a pen and paper and write it down. Right down to which door to enter. Then you end with asking for a promise to vote. The word of a Texan is no small thing, it is important that Beto supporters actually do vote and posing this question has a positive impact on participation. Rosie the event organizing explained that.


The calling element was quite interesting from a technology standpoint. Integrating your mobile phone and an online interface you followed a flow chart of canvassing and recording outcomes. One dial in with an id and you stay connected as you follow a registered voter sample. In two hours I “called” about 50 numbers and spoke to about 15 who had pre-voted Beto, 15 answering machines (you just hung up and logged as a call back), 5 times chatting with spouses or relations and securing their support, 5 hang ups (Texans are polite what can I say?) 7 wrong numbers, and 3 voting plans. Those last three were the golden ticket you hoped to find in your effort. That’s where you make a difference. One gentleman named Thomas I spoke with was an 84 year old who said he’d vote “for that Beto, he seemed a good honest guy”. I went over the address of the polling location, he waited to till I finished then declared, “Yea I know where it is, I’m gonna walk on over”. He was sweet and it was an honor to connect with Tom from Texas.


The UX of the system was more or less stable, but had an uncomfortable lag that you have to adjust to. Overall I was impressed with the tech. It could identify if the sample had voted in 2016. It worked best with head phones and embellishing your script with enthusiasm increased by how familiar you became with the process. A lovely Spanish speaking woman shared the couch I was calling on. She was extra valuable to the movement as she spoke fluent Spanish and hearing her canvas in soft fluid Spanish was invigorating. My friend Justin and his wife Nadine were diligent as well. Everyone had a laptop perched on their laps and a phone gripped tight in hand. There were sandwiches, cookies and an engaged atmosphere. Will Beto win big on Tuesday? That I cannot say, but I’ll say thirty people spending a Saturday night before the big election in NYC who were calling Texans and doing something proactive and proven to aid Beto’s victory.

It was a lovely feeling and an honor to state, “Hi, my name is David and I’m a volunteer for Beto O’Rourke’s Senate Campaign”.



If you are a patriot, and passionate about your feelings being an American and want to do more, I suggest visiting the website of your candidate and learning how you can volunteer and make an actual difference.

To learn more about Beto for Texas click here.

All images made with an iPhone Xs Max and processed in Snapseed.

The Tuscan Neighbor


Giustino of Cortona

We have a neighbor in Italy, his name is Giustino. He is a venerable character now, but spent his formative years as a farmer and real estate man in Cortona. Since I have known him (about 15 years), he has always been old, but very steady and strong. His property hooks around ours and for years he has toiled in a labor of love tending the olive and fig trees as well as a vast tomato garden. He keeps the land immaculate and I have always admired the techniques and skill he employs. The story is told he bought the house and land for a relative, but they didn’t want it, so he kept it as a pet project of sorts. Driving his little Fiat from Cortona to Terontola in the early mornings to work the land, Giustino would be at it as I woke up almost every morning. Giustino is a sweet man to speak with even though I can barely understand him. I greet him each day with a bellowing, “Boun Giorno Senor!” across the rosemary bushes. He smokes a cigarette every half hour on the mark as he works and his voice is a gravely tuscan accented Italian. He speaks with a smile, the edges of his lips up turned, bright eyes deep-set into a face that has worked under the sun for all its years. In Italian, they would say he is, he isn“persona gentile”. I truly grew to love the man over the years.

This year when we arrived the first thing i noticed was his ill-kept garden. Where Giustino tilled the land and pruned the fig trees, carefully arranging the cut boughs around the trunks, weeds had overtaken. The tomato vines were strewn across the ground, not staked and were yielding poorly. I barely recognized the land, as i had never seen it return to nature but only under the sure hand of Giustino. I feared the worst, for it was obvious that finally the years had prevailed on my neighbor and the land would be wild with out his steady efforts.


Working under the Olive tree’s shade

Then eleven days into the trip, as I woke up and walked out to the gardens I heard a familiar sound, the “Tick, Tick, Tick” staccato of Giustino working the land with a till! Was it phantasm or phantom of Giustino’s soul spirit bound to the earth? I hurried over and spied him behind the fig tree, clearing the ground beneath it. I ran back into the house and grabbed my trusty Sony RX10 mk 2 and positioned myself so as to be hidden and make exposures while observing my suddenly alive and kicking neighbor. He paused for a moment and rummaged through his jacket pockets to procure a pack of cigarettes, then sat down on his ramshackle well and took a smoke break. I silently laughed and was reassured. Time and the reaper be damned, Giustino lives!


Taking a smoke break at the well

It turns out earlier in the year, Giustino got into a car accident and hurt himself direly while totaling the Fiat. His family won’t let him get a new car and Giustino is subject to the whims of neices and nephews providing rides down to Terontola from Cortona. We spoke, and he is ok now, but was bedridden for several months. He is disappointed he can’t continue as he had, but regardless, keeps his back bent into the work when he can. He lamented how embarrassed he was to have his field look as it did when we arrived. Steady and with dedication over the next two weeks Giustino secured his daybreak rides down and miraculously for one so frail, he cleared the land, trimmed, cut and organized the excess boughs and brought the field to garden status.

On our last night’s aperativo in Cortona, we ran into Giustino sitting with his friends at an outside bar. It took him a moment to recognize us in the shadowy street but when he did, his eyes lit up and that chiseled smile warmed us, and somehow deep inside, I know next year’s summer will bring us together again. Long live Giustino!


Done for the day.


A final note about these images for the gear heads our there. All images shot with a Sony RX10mk2 jpg right out of the camera with the monochrome picture mode applied.  My NIK Silver Efx is now out of date with the latest Photoshop CC2018, so my normal digital B&W workflow was upset. Instead of doing the update, I did an ever so slight edit to darken corners and minor curves adjustment in Photoshop. The image quality out of the Sony RX10 continues to amaze me. I have raved about this camera in earlier posts and really think it’s just a solid performer that is capable of wonderful image making in the hands of a proficient photographer.  I included in each picture’s description the camera settings.

Next blog post will be my summer drone work of Italy.


I Just Shot the Best Photograph I Have Taken In Many Years.

Hey Sailors

Sailors in Central Park


Last Sunday afternoon, I shot the best photograph I have taken in many years.

That statement will depend upon the beholder, but in my not-so-humble opinion it is acurate. I’m actually not proud of that because it was so easy to execute on first glance, but was it really? Also I live up to my earlier work, which this is not, but then again, it is. If I sound confused, I’m sorry. What I really am, is amazed. Amazed that I saw this, at that the right moment, and executed it properly, perhaps even perfectly.

This image is complex, lots of things are happening and the light is just right. The composition evolved into the perfection it is. The subjects, 3 sailors along a fence and a buff guy with no shirt emerging from a field.

I love it because it’s homo hot, yea, I went there and said that. At the core of my work I want to challenge viewers and take them to dark places inside themselves and let them shine light inside themselves. For the past several years my work has been very academic, but with this image, I feel I have reached back to my roots and mission. To be clear, I don’t want my work to make you feel uncomfortable, I want it to turn you on and question what makes you uncomfortable because you got turned on.

I also love it because I have learned so much. Pierre et Gilles are terrific influences on me, albeit in color photography. Those two bring homo eroticism to the forefront, but other influences are present too. The work of my friend and mentor, the late Len Spier. Len’s work is super spontaneous, black and white, and instantly classic. Mel DiGiacomo distills lessons about being ready, searching with your eyes to find quirk in everyday life. Both of them are black and white shooters, I have sworn off color for over two years now (I only miss it occasionally).

It would seem that every lesson I have learned is present in this image. I turned a corner in Central Park around 6 pm and found my decisive moment. Immediately moving into position and pulling out the only camera I had with me, my iPhone 6. I turned it on, and swiped left to bring up the camera mode. Meanwhile the Frisbee players in the field overshot and the disc landed right of the sailors. One bent down to pick it up. There were four, now there were three. The picture was happening really fast, the moment was almost lost. I leaned out with my right hand, and took two shots in a row. I didn’t have time to solve the change in composition the fourth sailor made by leaving the frame. I was afraid the entire dynamic of the scene would be lost. It wasn’t. My quick composition was enough. I captured it. But I thought it was lost, because I would have to crop the fourth. A day later, I reviewed it and started to notice while I lost the fourth sailor/subject, I gained the frisbee player. And he was hot and shirtless. A small post crop would remove the fourth and the frisbee would become a circular element that sailors and players alike seems to be looking at. The errant frisbee gave direction to the image. It would seem that afternoon in the park, the photo gods smiled upon me.

Photo nirvana occurred. You might agree or disagree with me. It doesn’t happen often. But when it does, it reminds me why I’m riding this horse called photography.

Sailors "Raw"

The unedited version from iPhone 6.

Here is the original image, and the snapseed processed version.

Sailors in central park

Edited in Snapseed.

The above image was processed in Nik Silver Efx. I wish I had had my Fujifilm XPro2 with me, but I didn’t want to be burdened. I’m thankful for the iPhone. What’s the best camera? You know the answer to that.


My Beloved Fujifilm XPro1 is up on Ebay!

I know it’s hard to believe, and it breaks my heart… But since I bought my XPro2, my XPro1 is simply getting dusty. Time to share the piece of gear that excited me so for near 4 years.

Here is the link to the camera on Ebay. The Auction ends February 5th at Noon EST.

Mention you saw it from Suspect Photography blog in the comments and I’ll send you a nice Day of the Dead Triptych.

Have fun!


Bull Riding in NYC


I got a last minute invitation today to photograph the third and last day of PBR- Professional Bull Riding event at Madison Square Garden. Armed with my new Fujifilm XPro2 camera I hightailed it over to meet with long time friend and fellow photographer whose gig it was to shoot for Load It, an international trade magazine for productions. I hate to say this, but I think I have known photographer Todd Kaplan for very close to 3 decades. He’s a tried and true working pro- always gets the shot. Shoots with Canon. Good guy.


I heard we would have access, so I imagined cowboys in dressing rooms, ready to test their mettle on the backs of beasts. I grabbed the 18mm and 35 mm lenses in eager anticipation. I should have known how crummy the sodium vapor lights at the Garden are.


The Monster girls posing with their boss. At least he said he was their boss…

The cowboys were getting “in the zone” so no portraits of them occurred, I figured to make the most of the it and test out that new and improved AF system on the XPro2. I switched to high speed mode, AF servo and activated all focus points in with a wide AF center box. Ready to go!


Auto Focus Mode tracked the action no problem!

I’m usually an aperture priority kind a guy, but for this, I put the lens in A mode and set the camera to 1000 sec shutter speed. I opened up the auto ISO to a 12,500 cap. These settings worked like a charm!


8 frames per second and 1000th of second shutter nails the shot like the photographer was born in the bull pen. He wasn’t.

I shot these in the Film Sim mode using Across Green Filter setting. I figured the green would un-harsh the crappy stadium type lighting in B&W. My quick edit had me using the good old reliable Nik Silver EFX. I used the #22 ambrotype toning. I figured a warm look matched the classic bull riding theme of the photo shoot.


The bulls are the real stars.

Here is Todd working, it’s a tough job, someone has to do it.



MSG back stage, things are a little weird.


I finally found the picture I wanted, this cowboy was from Colorado, but has recently moved to Missouri. He works for 3 1/2 months, then gets to go home for a few weeks. He was cordial and really interested in the people he meets on the road. A gentleman. A gentleman cowboy.


The last thing I’d like to convey, there were protesters outside of MSG. The crew I worked with Todd shooting were very professional and the cowboys taking care of the bulls were very respectful of the bulls. I saw no mistreatment and the bulls appeared to be .. well… bullish.

XPro 2 for sports? Yes!


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