I got a last minute invitation today to photograph the third and last day of PBR- Professional Bull Riding event at Madison Square Garden. Armed with my new Fujifilm XPro2 camera I hightailed it over to meet with long time friend and fellow photographer whose gig it was to shoot for Load It, an international trade magazine for productions. I hate to say this, but I think I have known photographer Todd Kaplan for very close to 3 decades. He’s a tried and true working pro- always gets the shot. Shoots with Canon. Good guy.
I heard we would have access, so I imagined cowboys in dressing rooms, ready to test their mettle on the backs of beasts. I grabbed the 18mm and 35 mm lenses in eager anticipation. I should have known how crummy the sodium vapor lights at the Garden are.
The Monster girls posing with their boss. At least he said he was their boss…
The cowboys were getting “in the zone” so no portraits of them occurred, I figured to make the most of the it and test out that new and improved AF system on the XPro2. I switched to high speed mode, AF servo and activated all focus points in with a wide AF center box. Ready to go!
Auto Focus Mode tracked the action no problem!
I’m usually an aperture priority kind a guy, but for this, I put the lens in A mode and set the camera to 1000 sec shutter speed. I opened up the auto ISO to a 12,500 cap. These settings worked like a charm!
8 frames per second and 1000th of second shutter nails the shot like the photographer was born in the bull pen. He wasn’t.
I shot these in the Film Sim mode using Across Green Filter setting. I figured the green would un-harsh the crappy stadium type lighting in B&W. My quick edit had me using the good old reliable Nik Silver EFX. I used the #22 ambrotype toning. I figured a warm look matched the classic bull riding theme of the photo shoot.
The bulls are the real stars.
Here is Todd working, it’s a tough job, someone has to do it.
MSG back stage, things are a little weird.
I finally found the picture I wanted, this cowboy was from Colorado, but has recently moved to Missouri. He works for 3 1/2 months, then gets to go home for a few weeks. He was cordial and really interested in the people he meets on the road. A gentleman. A gentleman cowboy.
The last thing I’d like to convey, there were protesters outside of MSG. The crew I worked with Todd shooting were very professional and the cowboys taking care of the bulls were very respectful of the bulls. I saw no mistreatment and the bulls appeared to be .. well… bullish.
Fujifilm XPro2, 35 mm 1.4 lens, Cub Leather Strap, John Varvatos T-Shirt.
I just took delivery of the Fujifilm XPro2 and it will surely be replacing my beloved XPro1 as my primary camera. I’m quite thrilled, and since I’m old school, I like to hang onto photo gear and not get caught up in the great gear race of the latest. I mean, great photographers have been taking great photographs for over a 170 years now, how bourgeois to think that only the latest camera will make you shoot better!
NYC High Line Rain. 18mm f 2.0 processed in Snapseed on iPhone.
On a rainy and cold Christmas Eve morning in NYC I took a stroll on the High Line with one of my favorite lenses, the 18mm f2.0. Before I left the warmth of my apartment, I did what I always recommend, take the manual along with cup of hot joe in one hand, and the camera in the other hand. Run page per page through the manual. There was a host of new features and a slight update on the menu system. I downloaded the Fujifilm Remote App and installed on my phone and tablet. The weather was totally miserable, and the normally very busy Highline empty. In a word, Perfect.
Close up wide open on the Highline.
First thoughts are hallelujah I finally have a camera with a dependable wifi so I can use my iPhone and post the hyper quality image I get from a “real” camera as opposed to the super ease of iPhoneagraphy (which I love but makes me feel cheap and dirty). I was never able to have any success with Sony’s Memory App but Fujifilm delivers a pretty intuitive and easy app for controlling the camera and managing files transmitted to mobile devices. Note that when you transfer a file via wife to a mobile device, it sends a 3 mp file. On your cards are the big files. This blog post is comprised of only images downloaded to my phone, then airdropped to my MacBook for creating the blog post.
Evidently New Yorkers are not ready to have Donald Trump as their next president. Wide open 18mm f2.0 and processed in Snapseed.
Down and Dirty on The Xpro2 from an Xpro1 User
if you are here just for the pix, you might want to scroll past this part.
I don’t want to cover what other camera bloggers have written, this camera has been out for a few months and admittedly, I’m late to the game. I’ll add that yes, the focus joystick is the absolute bomb. We all love to play with shallow depth of field, and this is an effortless way ensure that the focus point is exactly where you want it.
I noticed other things such as the now built in diopter and not the annoying Nikon style rubber eye cup. It’s hard to believe the XPro1 didn’t have a built in diopter now that I think about it. That’s a throwback to old school that I could live with out and a welcome feature on Xpro2.
I’m not sure how this is going to help, but when in OVF if you push the OVF/EVF arm towards the lens, a little magnified EVF window pops up in the lower right hand side of the viewfinder. I hit it by accident and had a devil of time figuring out how to remove the little pop up window (the lever now goes in both direcitons). I look forward to figuring out how to leverage that feature.
If you want your Xpro2 to be all it was born to be (LOTR reference) make sure you go into power setting and switch on “Performance Mode”. Thanks Big B Brandon for that tip. The factory default is a middle setting. Performance mode helps focusing by engaging phase detection. I have learned to live with the fact that the XPro platform is a battery hog and just roll with extra batteries. Seems that the XPro2 is the pig that the XPro1 was. Well what ever we are used to that, if you have a problem keeping batteries charged and on deck, then I suggest you go look at Leica M camera.
The Exposure Compensation Dial has more tension than the XPro1 did, so a casual brush up agains your gut doesn’t result in a +2 exposure mistake you notice later. My first thought was a locking button on the dial would be great, but the tension is just right and a lock is not necessary. Somebody at Fuji was listening.
More Buttons and dials! Yup, pretty much you gain joystick, dials and buttons to customize any which way. The dials push in, turn and simply add tons of customization. I’m fortunate have video game training so my fingers can dance across the camera and do exactly what I want. Well.. almost what I want. I’d love to be able to assign the Fn button to activate the wife transfer instead of going through the menu.
The Grip (which I feel is essential if your hands are larger than Trumps) now has a hole to be able to change the battery (yea we do that a lot) and not have to go through the rigamarole of removing the grip as with the XPro1. The grip also has a machined arca-style QR built into it. #lovethat. Memory card slots (yup, now two of them) are accessed in the side of the camera as opposed to next to the battery. Two slots may entice me to shoot raw when I shoot Jpeg. Pretty cool update and modernization.