Suspect Photography

January 4, 2014

Coney Island Polar Bear New Years Day Swim 2014 : A Guide To Photographing This Tradition

The mad dash to get in the water first. Xpro1 – Zeiss 12mm

Attention Suspect Photography Fans- Finding Photographic Style and Composition in NYC 4 Day Intensive Workshop April 17th to April 20th 2014. Early Registration Discount By March 1st.

The first day of the New Year is celebrated by New Yorkers at Coney Island in the form of a brisk dip in the Atlantic Ocean. This has turned into an event which is organized by the Polar Bear club of Coney Island, an organization founded in 1903. This year the event drew close to 4000 viewers and 2500 swimmers in an extremely festive environment filled with characters, personalities and lots of photographers. I was actually quite surprised at how many shooters turned out, the day was a who’s who of NY photographers that showed up; from the venerable Harvey Stein, the Daily News veteran Todd Maisel, iPhone extraordinaire Ben Lowy, man about town Louis Mendez, Brooklyn’s Kevin Downs and a motley assortment of many local photographers. I got the idea to shoot the Polar Bears a few days prior (looking for something cool to do New Year’s Day) and I texted my friend and fellow photographer Brandon Remler to see if he was game for it, and found out he had already plans to go, so I hitched a ride with him (creative minds think alike aye?). The board walk was crawling with photographers when we arrived at 11:30 am.

The seminal NY Street Photographer Louis Mendez covering the event.

Covering this event to make photographs is exciting, fun and actually fairly difficult. Here is my take: first off, set a parameter. I wanted to capture portraits that resonate with the oddity of the moment, the anticipation of the action, and the shivering resulting from it. Coney Island is an old place (my Grand Mother and Grand Father met there in the late 1920’s) and has distinctive landmarks that beg to be integrated into the final image.

Characters abound. This is a husband wife Polar Bear team. The wife parked the invisible jet behind the wonder wheel (where else?).

The first part of the day is the action on the Coney Island Boardwalk. The music was provided by a DJ and the result was a party filled with electric energy of the new year. I slapped on the 35 mm f1.4 for this and opened up between f 4.0 and f1.4 depending on the “width” of the photo. The shot below needed a little more depth of field because I wanted to catch the stuffed polar bear and the lady, and shooting at 1.4 would have given me focus on just one of those elements. I stopped down to f4.0 to capture both.

A very typical character you can find on the board walk of Coney Island. I love the tattered leather and the macbook.

Elements that give a sense of place like the roller coaster are important to keep in the frame. I didn’t expect the tongue, but fired away when she stuck it out.

I love to shoot wide open and blur the background, but essential to this shoot was Coney Islands uniqueness so I was trying to get the parachute jump or the roller coasters in the background. The 35 mm f1.4 destroys backgrounds into a soft bokeh-ness so if I wanted that background to be demonstrative, I would have to really think about how far I was from the subject and carefully position myself to include those elements in the frame.

We’re going to need a bigger camera.

The action is carnival like, and people dressed up and cavorted for the many cameras. It was easy to make a portrait, all you had to do was get their attention and ask for the photo. I found you could also direct them a fair bit and roll out with some nice work. I would wait till the subjects were not being harrangqued by any other photographers so I could get their attention. You can see in their eyes if they are working with you, or the photographer next to them. The lesson here is wait your turn and make the photo yours.

The first wave of Polar Bears head to the cold surf.

The dip in the ocean occurs at 1 pm, so around 12:30 we made our way down to the beach and joined a crush of photographers. The Polar Bear Club makes a channel about 75 feet wide for the swimmers to run down the beach and hit the water. It gets filled up fast, so stake out your spot early. My plan was to shoot wide (Zeiss 12mm), and get in as close to the swimmers as possible. I set the camera for manual focus at f22 and just used zone focus to capture the run. I also put the camera into hi-speed drive mode and shot at 6 frames per second. Editing later on you can find just the right shot and a lot of ones that clutter up your hard drive.

This is my favorite shot of the day. I love the composition, but I did have to crop heavily, there was a Nikon 70-200 2.8 with lens hood sticking into the frame from the left side.

The police boat on the horizon is an interesting element to include.

I did get tired of the police boat in the background, but the back lit splashes never gets old. One problem was the sun was just above the frame and wreaked havoc with the exposure. I was at +2 Exposure Comp to make this one.

After the swimmers took their dip they returned to the shore and an army of photographers converged on them. They showed great attitude and fortitude and posed for us. But again, you have to be proactive, smile at them and ask for the shot. Subjects looking into your lens will connect far better than subjects looking over you shoulder.

He couldn’t keep his cigar dry, but that didn’t stop him from smoking it.

This girl was skinny, so the cold was electric but look at that smile. A true NY’er and we don’t need the Giants hat to prove it.

This couple had just gotten engaged and were celebrating by taking the dip. I think everyone had a story, but with LBGT rights being the #1 story of 2013 I had a special warm place in my heart for these lovers. The woman on the right is proudly displaying her engagement ring. Let love rule!

How do you celebrate an engagement? In 32 degrees water thats how!

So what does a Coney Island Polar Bear get aside from a jolt of excitement? They get an official certificate stating, “I Did It”! Aside from crazy NY locals, this event also attracts thrill seekers from across the country.

This Polar Bear is loud and proud of her accomplishment.

This family came all the way from Sunny San Diego for the celebration and dip. The family that freezes together stays together. They could have done this in their home town, but it wouldn’t have been the same.:-)

This work was all shot with the Fujifilm Xpro1 and my trio of favorite lenses, the Zeiss 12mm f2.8, 18mm f2.0 and 35mm f1.4. I was aperture priority and on the beach was always at +1 1/3 exposure compensation. I shot with B&W Yellow filter to bring out a little more contrast in the sky. The entire shoot was processed on my iPad using Snapseed. For those of you who find the FujiFilm Xpro exciting, please visit this blog that collects all artistic articles about the camera. I also brought along my Fujifilm Instax Neo-Classic Instax camera. I gave away about 15 pictures throughout the day. Like I have written before, this camera just emanates good photo karma and it makes subjects happy when you hand them an instant photo as a take-away.

I saw Xpans, Graphlex, Hassy, and even a pinhole camera to capture the day with.

I am definitely going again next year, and to make better images I want to try mounting the camera on a pole and shooting remote to get a higher angle. I’ve noticed the press guys had fishing waders on and were in the shallow water making shots. I think this is needed, as I found it very hard to make images without lenses and other non “polar bears” in the image.

and the last image... the lone photographer capturing the surf of a new year. Complete with black fedora.

…and the last image… the lone photographer capturing the surf of a new year. Complete with trench coat and black fedora.

Regards to the brave Polar Bears of Coney Island and see you next year.

~David

10 Comments

January 1, 2014

End of Year Post : What’s In and What’s Out

Doll with whip, Brooklyn Xpro1 35mm f1.4 B&W jpeg

2013 will forever be known as “The year to try to keep up with”. Innovation found itself at every turn, politics were as contentious as any year in my life I have been aware of, and the now ambiguous smart phone has dominated just about every aspect of life in 2013. Trying to keep up is nearly impossible and requires a devoted assault on what was once known as “free time”. There is no more free time, unless you retreat to a cave, grow your beard (oh wait, the hipsters own beards now), make a conscious decision to quit social media, isolate yourself, and avoid at all cost slew of new cable series that now define pop culture. There is light at the end of the ’13 tunnel, those cables series have become so engaging that reality TV became passé. A lot of shit went down in 2013, and I don’t have time to write about it all, ‘cause I gotta catch up so I’ll break it down with a In and Out list, kinda like In and Out burger.. but much tastier.

Candle Maker, Sugar Load NY Zeiss 12mm f2.8

In– Umami Burger, this LA burger joint opened on 6^th Avenue and all the other burger joints in NYC pretty much took the back seat. The flavors are masterful, and the trick is to just sit at the bar and let the families wait for tables.

Out– MacDonalds, actually MickyDee’s has been out for a long time, but this year even their employee HR website recommended they don’t eat what they serve as unhealthy.

In– Mirrorless Cameras, this got serious in 2013 after Fujifilm in 2012 was the comeback kid. Olympus pretty much abandoned their DSLR line, and Sony stuck a full frame sensor in a Mirrorless camera.

Out– Cameras with the “hump” (DSLR) and sub $200 point and shoot digitals. Yea, cameras that have the hump mean they have a mirror and a mirror is so everything 2012 and past. Forget a cheap digital point and shoot, you got your iPhone for that. The only p&s digitals that can keep up these days have super zooms, something we are years away from with the phone cameras. At least for now.

In– Adobe Light Room 5, pretty much everyone is editing and organizing with this software that pretty much does what we all really need.

Out– Adobe Photoshop CS, It’s cloud based now, and the uproar could be heard in heaven. Adobe had to lower the monthly price and even Scott Kelby was accused of being the bad guy. This move by Adobe will end Photoshop being used by the marginals, and only the pro’s will shell out $50 bux a month for the software. The days of getting serial numbers on youtube pirate vids are officially over. Pony up or just use Capture One Pro 7 or DXO Optics Pro 8 to open up your RAW files.

In– the Afordable Health Care Act, with the promises to lower health care costs and provide coverage for all Americans how can you go wrong? Sounds like such a great idea!

Out– Obamacare, with a clunky website and insurance dropping those who are all ready covered and pretty much those who were happy with their insurance before, now paying more to cover those who couldn’t pay. Much like all good intentions, this is looking pretty crappy now.

In– Miley Cyrus- I’m not going there.

Out– Lady Gaga- Her new album is so… meh.

In– The Fujifilm 23mm 1.4, and now there is no reason to shoot with any other camera. It’s fast, it’s super sharp, and it’s the perfect focal length.

Out– 18-55 Kit lenses, just go prime. Slow zooms are over, and the everyone knows that to the key to good bokeh, you shoot with a fast prime.

In– The Nikon DF, because retro is cool, its half the price of D4, and who really needs video? Oh and did you check out in black?

Out– The Nikon D800, because who really needs 38 megapixel? It’s over kill and there are way too many buttons on that camera.

In– Bill D’Blasio, NYC’s next mayor. Who really knows how he’s going to do? We all have our collective fingers crossed.

Out– Bloomberg, He did good for the city and lots of rich guys, but hey isn’t that NYC is all about anyway?

In– The Guardian, great journalism that takes chances and it’s free to read.

Out– New York Times, except for the lens blog its clunky to read, who knows if what you’re reading is true or not, and it’s expensive. $20 bux a month!

In– Vine, really my attention span these days isn’t longer than 6 seconds anyway.

Out– Google Plus, despite how much google throws this down our throats, I still only know a handful of people who use it. Yuk.

In– The Fujifilm Instax Mini 90 with its retro style and advanced features, it’s the best instant camera to come along since the SX-70.

Out– The Fujifilm Instax Mini 25 was great until I replaced it with the Mini 90, but still for the money, a great instant camera.

Flat Iron Building Xpro1 18mm f2.0 B&W mode

So there you have it, my list of the ins and outs of 2013. Suspect Photography is really looking forward to 2014. Workshops, a new book, and all the photographs yet to be taken. Happy New Year folks!

~David

8 Comments

December 21, 2013

Day of the Dead in Mexico: A Photographic Exploration Of Dia De Los Muertos

Day of the Dead Boy, Zacatecas Mexico

In the fall of 2013 I attended the Morbid Anatomy Day of the Dead Field Trip called, “Death in Mexico” exploring Dia De Los Muertos. I had seen photographs of this holiday from my friend and mentor Harvey Stein and I was certainly interested in learning more and turning my cameras eye to capture the macabre beauty of the celebration. Accompanying us on this trip was Salvador Olguin, a Monterrey born historian of Mexican cultural artifacts with an emphasis on studying the relationship of Mexico and death. He was our Beatrice as we travelled into the underworld and offered insight into the history and artifice of the Day of the Dead.

Salvador Olguin in cemetery, Guanajuato

Background of the Day of the Dead

Mexico is wonderful country that has its share of issues and grandeur. Faced with a complex history of tyrants, corruption, poverty, and of course drug trafficking Mexicans are acutely aware of death and have the most interesting way of negotiating what we in the USA put at arms length and treat with abject distance. Something completely unique to Mexico’s Day of the Dead is that is has a sense of humor, a moribund smile of sorts.

Sculpture, Zacatecas

The holiday is celebrated on November 2^nd and can be confused with Halloween, which it is not. Day of the Dead is about honoring the deceased by building altars, visiting grave sites, and offering (ofrendas) foods, flowers and drinks to the departed. This all adds up to a festive environment where children paint thier faces in sugar skulls and adults arrange parties in the cemeteries and cities. The festival has its origins linked to the Aztec goddess Mictecacihuatl who presides over the underworld and rules the afterlife. She a flensed goddess and is often depicted with a skull agape. Very fitting since in death, our bones remain as all that is left of our mortal trappings.

Girl with sugar skull and instant photo portrait, Zaccatecas

To gain access when needed or to just pass on good photo karma to my subjects I also used a Fujifilm Instax Mini 25 instant camera. If you want to charm your subjects and get them to open up to you, a smile and an Instax shot is your ticket.

Man with sugar skull and military costume, Zaccatecas

You could find altars to the dead in civic building, markets, universities, and even just occupying a niche in the street. This altar was nestled between a parking lot and a major street in the city of Zacatecas.

Simple altar on the streets, Zacatecas

Mexico is practical, they don’t feel the need to be modern, if it works, they will adopt it to suit their purpose. Using a mule to carry your cactus drink across town for thirsty denizens is not for a tourist show, the man has a work mule and it does it’s job better than anything else the man has, so he uses it. No license, no department of health, just a real world application. I imagine we could have found this same image 200 years ago, but a modern car would not be parked across the street!

When we were planning this trip I considered what I wanted to get out of it photographically. I wanted to capture the spirit of the day of the dead and the people of mexico. My parents brought me to Mexico when I was 13 years old and what struck me was the sincerity of the people. Shooting with a super sharp lens I walked about with a smile and pointing at my camera to my subjects in order to make these images. I found a purity in the shooting of these mexicans on their holiday, and went for a wide open aperture to soften the background so to make the attention fall on the subjects while hinting at the environment.

Jicama, lime, and chili snack man, rest stop between Monterrey & Zaccatecas

Our trip took across four cities and I found interesting subjects at highway rest stops, in alleyways, and on the streets. As I shot the images and edited them I began to fall in love the subjects. Take for instance this father daughter team, it was taken at the Festival of Skulls and it may just be the most honest image I have ever made. The affection is evident in the fathers closeness to his daughter and the child is innocent in a way that North American children have lost in our modern age.

Festival of Skulls father & daughter vendor, Aguascalientes

The celebrations culminated in parties in the cemeteries. Families would gather in a festive way on the graves of their dead ancestors. These little girls were above their grandmother. I believe that no matter where the spirit of their grandmother is, the smiles of her descendants warms her soul.

Young girls celebrating over grave of grand parent, Guanajuato

Selling Pan de muerto (bread of the dead) on the street, Guanajuato

Mexico Sunset on highway between Zacatecas and Monterrey

The landscape could be ominous between the cities as seen in this sunset.

We visited the Mummies of Guanajuato, where well preserved mummies from a cholera outbreak were on display. These images were shot through display glass and I had to keep the lens touching the glass to avoid reflections.

Mummy Head

To see more of this work, I have created a book with 76 plates and resources on Blurb. It’s not a cheap book, its $120 dollars but it is 12″x12″ and I’m quite proud of it. Please take a look here, I have the full preview permission set so you can see the entire book.

Check out the full book here

My Day of the Dead Triptych is also available on Fine Art America. This site allows you to choose varying sizes and presentation styles. I have priced them very affordable, so if you’re a fan of this work, you have a choice of ways to own the photograph without breaking the bank.

The work I shot during the Day of the Dead was photographed exclusively with a Fujifilm XPro1 camera and three lenses; the Zeiss 12mm f2.8, Fujifilm 18mm f2.0 and Fujifilm 35mm f1.4. Settings were raw+jpeg, b&w mode, auto iso to 6400. All jpegs were imported into an iPad and final processing was done using Google’s Snapseed. This is a workflow I have been using for over a year now and am very excited to present it in a new seminar at the B&H Event Space December 30^th at 4 pm.

Resources for learning more about Death in Mexico

Morbid Anatomy – Brooklyn based blog, library and cabinet, museum, and educational collective that survey the interstices of art and medicine, death and culture.

National Museum of Death – A museum in Aguascalientes dedicated to the culture of death in Mexico. A must visit for those with an affinity for the macabre in art and culture.

El Museo De Las Momias (“The Mummies’ Museum”) – A museum exhibiting The Mummies of Guanajuato that consists of naturally mummified bodies interred during a cholera outbreak around Guanajuato, Mexico in 1833. The bodies appear to have been disinterred between 1865 and 1958. During that time a local tax was imposed requiring relatives to pay a fee to keep their relatives interred. If the relatives were unable or unwilling to pay the tax, the bodies were disinterred. Ninety percent of the remains were disinterred because their relatives did not pay the tax. Of these, only two percent had been naturally mummified. The mummified bodies were stored in a building and in the 1900s began attracting tourists. Cemetery workers began charging people a few pesos to enter the building where bones and mummies were stored and eventually a formal museum was founded.

and lastly, here is the entire tour from Morbid Anatomy’s Death in Mexico field trip. A wonderful trip, with wonderful people and the opportunity to make great photographs of super interesting subjects.

~David Brommer

11 Comments

December 14, 2013

Sony RX10 Review – The Perfect Travel Camera

The great digital camera buyer Ben at B&H gave me a call about a month ago and said come down to my office, Sony has something to show us. I was busy and told him I didn’t have time and he replied, “you should come down, they have a game changer here… a 24-200 mm 2.8 constant aperture camera that is compact”. I ran down. Now how can you get that fast aperture of a zoom lens to go from super wide to tele in a compact ZLR (Zoom lens reflex)? What I beheld was the Sony RX10 which actually can do all that. I got to mess around with the prototype and was impressed. Last week I actually got a production model to play with. The following are my observations and some quick work produced while testing it. Like my other reviews I’m not going to get super technical, but I will show you a load of images so you can judge for yourself.

Union Square shot at 180mm f2.8. The camera make cropping distant subjects so easy.

So first off lets get back to that lens, because that’s really the reason to consider this camera. The RX10 sports a Carl Zeiss 24-200 mm f2.8 lens. That focal length is the 35mm equivalent. It is not a 2.8-5.6 variable aperture; it is a fast f2.8 throughout the range. Sweet. Very Sweet. The lens is damn sharp, and in my testing I couldn’t help but put the zoom out and bring in distant subjects. For those of you who know me, I’m a wide guy, and prefer getting more in my picture from using a wider perspective. My testing would have to get me out of my comfort zone, so I decided to shoot something that’s out of range of my wide lenses, NYC water towers. They make great subjects!

This short study was all shot with the creative B&W mode. The RX10 allows you to fine tune the creative mode and I chose a +1 contrast and +1 sharpening for good measure.

Lets discus this lens. You zoom by twisting the lens (or a use the toggle on the top of the camera) and it activates an electronic servo zoom. The zoom was fairly slow, and that leads to a precise adjustment of focal lengths, but again, it is a slow process. From 24mm to 200 mm it took me 4 seconds to zoom across that range. The aperture control is very nice, instead of changing aperture from a dial on the back or front of the grip like most cameras, the aperture ring is located like a traditional slr optic, on the back of the lens near the body. Those who appreciate a manual feel will dig this aperture ring, it has a very solid tactile feel with positive 1/3 stop clicks. I want to reiterate, it feels very substantial and of quality. You can also hit a slider button and the aperture ring then looses its clicks for adjusting aperture silently in movie mode. I suggest a 62mm UV filter as an add on. You want to protect that Zeiss goodness right? Go for B&W’s standard 62 mm UV.

Gabe and Barry Biderman. Two generations of great photographers. Love these guys.

The camera measures 5.1 x 3.5 x 4” and while certainly not a pocket camera it is not overly large. It is about the size of an entry level DSLR like the Canon Rebel t4i or Nikon D5200 with a fat kit lens. There is ample rubber around the body and it feels good in the hand. The viewfinder is superb and has a diopter. I don’t wear glasses, but for me, it was very easy to view through the finder and the EVF is a High-resolution XGA OLED Tru-Finder whatever that hell that is, it works very well. You can with custom functions make sure you see exactly what you to see meaning things like iso, exp comp, levels, metering mode, and more is visible or invisible. The viewfinder has a nice rubber coat, and there is a built in diopter as well, so I assume that if you did wear glasses, it’s not bad at all. The LCD is a 3.0″ / 7.5cm 1,228k-dot tilting Xtra Fine TFT design and works very well. I have to say, it was very nice to use the tilt at ground level to get a cool perspective. Auto focus rocked, super fast and very modern. For those that want manual focus you have a very nice large focus grip on the lens which you can then rely on Sony’s excellent focus peaking feature. Whether you go AF or MF you will be content, both modes work wonderful.

Running through the zoom to get an idea just what 24mm to 200mm can give you. And the answer is, “a lot”.

RX10 sports a 20 megapixel 1” sensor that is up to the task. The camera rocks in low light and also has a new generation processor that builds raw and nice jpegs. I’d say pretty much you have a top of the line sensor in this camera, Sony has been making leaps and strides in their sensors for the past few years. The sensor leaves nothing to be wanting.

The following images are fine in their own right, but when you need to crop in post, how does the jpeg file hold up? Judge for yourself.

Sunset Creative Mode- notice the helicopter in the distance?

800 % crop into the image to pick out the ‘copter. Notice the detail in the blades? wow.

Can you find the mother in law waving?

There she is! That’s Elvira and she is at about 600% magnification. Great detail is still in the shot. That 1″ sensor really shines.

The camera has a clean design, it’s not cluttered. The top left of the camera has command dial with the usual modes, but also adds two custom settings, so if you like to profile the camera with specific style, it’s a breeze to recall the settings. The top deck LCD panel is lighted so you can see what your doing in the dark or dimly lit room (a feature from mid-line & high end DLSR cams) There is also a exposure compensation dial that has a firm feel and is not easy to misadjust when the camera bumps against you (I really like that, my go to camera the XPro1 is so dang easy to accidentally move that dial).

This was taken at Photo Walk with National Geographic photographer Jay Dickman in Union Square NY. Image is shot at 24mm.

The buttons and dials on the back of the camera make sense, there is one Fn button you can assign to a multiple of tasks or get into a high level menu adjustment mode. The deep menu system is easy to navigate, you can access almost anything you would want to change and I found it easy to get in a make an adjustment on the fly quickly.

Gabe grabbed the camera and turned to a mirror to make this image of our party table with photographer Tim Cooper. I’m on the phone in the background struggling with AT&T’s crappy service.

So I didn’t play with the movie mode, I’m not into that but my research confirms the camera has an excellent video system that borrows a flicker free scan system that is only found on the FS700. It has a headphone mini jack and audio in with manual level control miniphone jack too, and for those who want XLR connections you can add the pricey Sony XLR-K1M Adapter and Microphone Kit to get perfect audio. Pretty impressive if you’re into that sort of thing.

The range of the zoom lets you really work your perspective. Shot of the James A Farley Post Office steps in NYC.

And since the camera is a modern high end jammer, you get some other cool bells and whistles, like built in WiFi that can download to your mobile phone and tablets. The RX10 is also weather proof, so feel free to take it out in the rain.

The only negative I can see on the camera is that it is a slow start up and shut down. The camera has to move around that big lens it takes its time. I counted a solid 2 second delay on the start up and shut down. That could be annoying. My other concern is that its not a small camera, that is the trend and cameras these days are high performance in small packages. This camera is super performance in a relatively large package.

So the camera sells at $1299. Yikes! But you do get a serious lens and really you don’t need to buy anything else to make some great images. The question I asked myself is who is this camera for? Well it’s not for the soccer mom and those that are looking for a bargain. This camera is for someone who appreciates high quality and has some disposable income. I am known as a camera whisperer and today I had lunch with the actor Alan Arkin. Alan is on the quest for the perfect camera, not to large, not too small and super high quality. I had been suggesting to him the Fujifilm X system for over a year and just when I thought I had him set, I busted out my RX10 and he fell in love right away. When I mentioned who I thought this camera was for, he proclaimed, “me!”. Needless to say, Alan bought an RX10 on the spot. I look forward to hearing how he feels after shooting with it. I hope he enjoys it, but he really couldn’t keep his hands of it at lunch.

Alan enjoying some lunch at Mercado in Hell’s Kitchen NYC. Between being a wonderful actor and teaching acting, he enjoys a good camera.

I would say it shines for travel photography; this is the ONE camera you need to pack when on the road. You will travel light, and be assured you will take great images in any light of near or distant subjects. At 10 frames per second and that great AF you wont miss anything. I give it 9 of 10 ten stars. Speed up the start up and shut down time and I’d give it a perfect 10. Now if you ready to buy the Sony RX10 be a mench and buy it at B&H.

This was taken at B&H’s Event Space during a Sony A7 demo. The lights are Ikan LED and the theme was Alaska. I like that soft bokeh of the background.

Specifications

Imaging
Pixels	Actual: 20.9 Megapixel Effective: 20.2 Megapixel
Sensor	1.0″ (13.2 x 8.8 mm) CMOS
File Formats	Still Images: JPEG, RAW Movies: MP4, MPEG-4 AVC/H.264, MPEG-4 AVCHD Audio: AAC LC, AC3
Max Resolution	20MP: 5472 x 3648 @ 3:2
Other Resolutions	10MP: 3888 x 2592 @ 3:2 5MP: 2736 x 1824 @ 3:2 18MP: 4864 x 3648 @ 4:3 10MP: 3648 x 2736 @ 4:3 5MP: 2592 x 1944 @ 4:3 0.31MP: 640 x 480 @ 4:3 17MP: 5472 x 3080 @ 16:9 7.5MP: 3648 x 2056 @ 16:9 4.2MP: 2720 x 1528 @ 16:9 13MP: 3648 x 3648 @ 1:1 6.5MP: 2544 x 2544 @ 1:1 3.7MP: 1920 x 1920 @ 1:1 12416 x 1856 5536 x 2160 8192 x 1856 3872 x 2160
Aspect Ratio	1:1, 3:2, 4:3, 16:9
Image Stabilization	Optical
Color Spaces	sRGB, Adobe RGB

Optics
Lens	Carl Zeiss Vario-Sonnar, 14 elements in 11 groups 7 Aspheric (35 mm equivalent: 24-200 mm) Aperture: f/2.8
Filter Thread	62 mm
Zoom	Optical: 8.3x Clear Image Zoom: 16.6x Digital: 66x Digital: 93x Digital: 133x Digital: 249x

Exposure Control
ISO Sensitivity	Auto, 125-12800 (Extended Mode: 80-12800)
Shutter	4 – 1/3200 sec in Auto Mode 1 – 1/3200 sec in Program Mode 30 – 1/3200 sec in Manual Mode 8 – 1/3200 sec in Aperture Priority Mode 30 – 1/3200 sec in Shutter Priority Mode
Exposure Metering	Center-weighted, Multi, Spot
Exposure Modes	Modes: Aperture Priority, Bulb, Intelligent Auto, Manual, Movie, Program Shift, Programmed Auto, Scene Selection, Shutter Priority, Superior Auto, Sweep Panorama Compensation: -3 EV to +3 EV (in 1/3 EV steps)
Shooting Modes	Anti-motion Blur Black and White Copy HDR Painting Handheld Twilight High Contrast B&W Illustration Landscape Macro Miniature Effect Night Portrait Night Scene Partial Color Pop Color Portrait Posterization Retro Rich-Tone Monochrome Sepia Soft Focus Soft High-Key Sports Sunset Toy Camera Effect Vivid Color Watercolor
White Balance Modes	Auto, Cloudy, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade
Burst Rate	Up to 10 fps at 20.2 MP
Self Timer	10 Sec, 2 Sec
Remote Control	RM-VPR1 (Optional)

Flash
Flash Modes	Modes: Auto Fill-in Off Rear Sync Slow Sync Compensation: -2 EV to +2 EV (in 1/3 EV steps)
Built-in Flash	Yes
Effective Flash Range	3.28 – 33.46′ (1 – 10.2 m) Up To 66.93′ (20.4 m)
External Flash Connection	Hot Shoe

Memory
Memory Card Type	Memory Stick Duo Memory Stick Pro Duo Memory Stick PRO HG-Duo Memory Stick PRO Duo (High Speed) Memory Stick XC-HG Duo Memory Stick Micro Memory Stick Micro (M2) SD SDHC SDXC microSD microSDHC microSDXC

Recording
Video Recording	Yes, NTSC
Resolution	1920 x 1080: 60 fps, 24 fps 1440 x 1080: 30 fps 640 x 480: 30 fps

Video
Video Clip Length	Up to 29 Minutes
Audio Recording	Built-in Mic: With Video, Stereo Optional External Mic: With Video, Stereo

Viewfinder/Display
Viewfinder Type	Electronic
Screen	3.0″ LCD Rear Screen Tilt (1,229,000 pixels)
Screen Coverage	100%

Connectivity/System Requirements
Connectivity	DC Input HDMI D (Micro), USB 2.0 USB 2.0
Wi-Fi	Yes
Software Requirements	Windows: XP (SP3), Vista (SP2), 7, 8 Mac: OS X 10.6 or later

Power
Battery	1x NP-FW50 Rechargeable Lithium-Ion Battery Pack, 7.7VDC, 1080mAh
AC Power Adapter	AC-UB10 (Included)

Physical
Dimensions (WxHxD)	5.1 x 3.5 x 4.0″ / 129.0 x 88.1 x 102.2 mm excluding protrusions
Weight	1.79 lb / 813 g with battery and memory card

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November 23, 2013

Keep Calm and Carry Cameras II

This is a short and sweet post, it’s about something I have said in this recent post, “always carry a camera”. You just never know when the photography gods will throw you a good image to capture. On the street, or just coming out of your bathroom. Carry that camera.

So here’s the story, on Sunday mornings I head out to La Bergamote bakery to pick up some croissants to bring back for breakfast. This trip takes me down 9^th ave, and sometimes, I head east to 8^th ave if I’m in the mood for bagels and lox from Brooklyn Bagel Company. Mostly though, it’s all about the croissant. I always grab my camera, because La Bergamote is in the heart of Chelsea and the architecture and tree lined streets is just perfect in so many ways. It was early on this particular Sunday morning, and cloudless. On the Corner of 22^nd and 9^th Avenue a Garbage truck had pulled in the corner diagonally so that its front pointed across the street instead of down the street. While a normal site on the streets of NYC, as I crossed it I noticed the windows reflected the buildings across in an interesting composition. Standing almost in the middle of the street I took some time to compose the image, falling into that tantric composition photo seeing trance through the viewfinder that only ones who love photography can understand. Time stands still, traffic matters not and in a 250^th of a second it’s done. Exposure made, for better or worse or most likely, for nothing really because only a small percentage of images actually has any guts to it- destined to fall deeply into a folder on the hard drive.

Later during breakfast I did a chimping session and thought, “you know what David, you got something here…” so I downloaded the image onto my iPad and started to do my new workflow with snapseed and was quite surprised at the final edited image. I posted it on my Facebook and got loads of Likes. I’m so happy I brought the Fujifilm Xpro1 with 18mm f2.0 on that croissant mission.

Fast forward a week later, and I visited the bathroom early this morning. Of course I had the requisite iPad with me, and I was sitting there, through the door I spied the rising sun pouring through the windows and shedding light on my wife Barbara’s cabinet. Click.

Photography is about so much, and sometimes I just blush with happiness, when all that matters is making the image. I friend of mine recently posted a shot of her under the darkcloth of a Deardorff on Facebook, as I was writing this post I had spotted it on my feed, We had a short exchange and Kendra gets it, she said, “love it”.

Check out Kendra’s work, she shoots Tin Types and brings a wonderful aesthetic to her work. When I first met her she was shooting with a 4×5 Speed Graphic, now she’s rolling big time with a 8×10 Deardorff! Look at those TinTypes, thats LOVE! www.kendraesadams.com

That’s all there is to this I guess. Carry a camera, keep calm, and love it.

~David

November 20, 2013

30 Minutes With The New Fujifilm 23mm f1.4

Best of the West Deli Man

Since this lens was announced I have begged and cajoled my Fujifilm contact for a test ride to no avail. Man, I have known better crack dealers that take better care of their clients! Evidently there was a glass gag order to keep the lens under wraps until they could provide the blogosphere at large with samples. Bah I say! I have had to be content with my 12mm 2.8, 18 f2.0, and the awesome 35mm 1.4.

A insiders view of Espositos on 9th ave.

Now if you do the focal conversion this makes my collection of lenses the trifecta of an 18mm, 28mm and 50mm. What’s missing? Well my favorite focal length is 35mm. I little bit wider than the eye perceives, yet extremely natural. While I got used to the 18mm it was always just a tad too wide for tastes. I yearned for the 23 mm focal length.

Taken through a glass window but man, look at those out of focus blurring in the background!

Taken through a glass window but man, look at those out of focus blurring details in the background!

So today I had the opportunity to grab the 23 1.4 which translates to 35mm for a fast half hour. Yup, you heard that right, it was mine! For a half hour at least. I threw my coat on and walked up 9^th Ave around the corner from B&H. You can’t keep a good man from his 23mm, no matter the time constraints. Here are my findings. Oh and one more note, I pretty much shot everything wide open at f 1.4 because that’s how I roll. I love bokeh, and this lens as you can see delivers spectacular bokeh.

1/40 second at 1.4 ISO 320. Now thats low light love.

It’s a bit of large lens, but then again, it’s a 1.4 so who can complain. It has a depth of field scale. Lots of you young’ probably don’t know what that is in the age of digital zoomy slacker glass. It’s a scale that tells you what will be in focus based upon the f-stop. A analog scale. Sweet.

Snap! Sharp and zippy this lens simply rocks!

Very nice to shoot manual focus, you pull the lens back to you and then you access to that DOF scale and it has a good feel, a little loosey goosey, but still better than other AF lenses. I confess, I shot in AF during my short test. I don’t have any problems with the XPro1’s focus.

The legendary Hershel of B&H. Ever wonder who edits the comments on our You Tube videos, well wonder no more. A gentleman among gentleman. Notice the lights in the background, yum.

I’m like Goldilocks, 18 mm to wide, 50 mm to tight, but 35 mm… just right.

Very narrow depth of field, notice his arm out of focus? This lens might just need to be shot at f4.0 or 5.6 if you need a little front and back details to be in the shot.

I’m sorry if I didn’t have the time to really put the lens through a more thorough test in different light with more varrying apertures. Truth is, I was just happy to get the short time I had with it. Am I getting one? Yea. Not tomorrow though. I will have to get used to the size, I like to keep it on the smaller tighter side, but dang, I do love me the 35mm effective focal length. I think that this lens will be the lens that sits on the camera 96% of the time once I own it.

Hope you enjoyed this post as much as I did shooting it.

~David

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November 10, 2013

Veteran’s Day Post – A Photographic Salute

The three landing sites of the American forces, Omaha Beach, Point Du Hoc, Utah Beach. Platinum Palladium print presented in triptych.

The heroic deeds of the landings at Normandy and the Allied triumphs of WW2 are the defining moment of a dying generation. I have a keen interest in what remains of these sacred locations, both in images & words. In April of 2011 I began the project “Battlefield Cant” and visited the Normandy D-Day landing beaches and battlefields photographing with my trusty wooden 8×10 Deardorff camera. Being deeply affected by reading the accounts of our soldiers, I was motivated to start a collection of quotations from American veterans who fought in these locations.

German Bunker overlooking Point Du Hoc

The project is called, “Battlefield Cant”. The project title was made from the following:

Battlefield n. the field or ground on which a battle is fought.

Cant n. the phraseology peculiar to a particular class, party, profession

“Battlefield Cant” is a series of photographs from the European battlefields of WW2 and prose from the soldiers who fought there.

Omaha Beach, Dog Green Sector

Omaha Beach – Dog Green Sector

“I started out to cross the beach with 35 men,

and only 6 got to the top, that’s all”.

~Lt. Bob Edlin

This is the beach made famous in Saving Private Ryan. It is estimated that on D- Day, 3,000 American Forces were killed in action at or near this location. The honor of photographing on this hollowed ground is one of the finest moments I have ever spent behind a camera.

Point Du Hoc. Site of the Rangers assault on the cliffs.

Pointe Du Hoc

“The Rangers looked up and saw the enemy soldiers, at the edge of the cliffs shooting down at them with machine guns and throwing grenades. And the American Rangers began to climb. When one Ranger fell, another would take his place. When one rope was cut, a Ranger would grab another and begin his climb again. They climbed, shot back, and held their footing. Soon, one by one, the Rangers pulled themselves over the top, and in seizing the firm land at the top of these cliffs, they began to seize back the continent of Europe. Two hundred and twenty-five came here. After two days of fighting, 90 could still bear arms.”

~President Ronald Reagan at the memorial dedication.

A brutal assault that was needed to silence the big guns that could range both Omaha and Utah beach, this was an essential target to nullify at the start of the battle. The Rangers were elite and were up to the job, but at a terrible loss.

Utah Beach was taken with minimal losses. Thankfully.

Utah Beach

“We’ll start the war from here”

~Brigadier General Theodore Roosevelt

When I went to photograph at Utah, I was greeted by a festive scene, horses on the beach, children playing. This site was now a recreation area and I could have been on Long Island for all it appeared. However, on D-Day this was an essential landing beach that saw artillery bombardment and the blood of Americans being spilled to secure it. I had to work to find these dunes to photograph, Utah was challenging to find the spirit of the place.

Bullet Hole from Paratroopers battle in a church in Sainte-Mère-Église

Excerpt from “A Paratroopers Prayer”

All mighty God, Our heavenly Father, who art above us, and beneath us, drive from the minds of our paratroopers any fear of space in which thou art ever present. Give them confidence in the strength of thine everlasting arms to uphold them. Endure them with clean minds and hearts that they may participate worthily in the victory which this nation must achieve. George B’Wood, Major Chaplain 82^nd Airborne.

While I was scouting for locations in the middle of the day I entered the main church in the center of Sainte-Mere-Englise to find some respite from the hot June heat. At the entrance there was a info point telling the story of how a few Germans asked the priest of the church to hide them from the American Paratroopers that were scouring the area. The priest told them, “hide in the vestry, but don’t drink the wine”. The germans hid, and the priest went out side, found some Paratroopers and told them there were Germans hiding in the church. After a fast battle, the Americans cleared the church and killed the hiding germans. When I scouted the location I found evidence of the battle in the form of a hole in the glass that contained a Mary. This was left over from the fight, and the locals were putting their prayers on paper and inserting them in the bullet hole.

I was alone in the church, and proceeded to set up the Deardorff and make an exposure. It was very dark, and the exposure long. About 7 minutes factoring in reciprocity and bellows extension. I was proud I nailed the exposure, and during the long time, next to the statue was a prayer book where I found the Cant for this image.

Here are a few more images from the Project Battle Field Cant.

German Batteries.

Memorial at Point Du Hoc

Sherman Treads

I launched a Kickstarter Campaign to fund this project and help send me to the next two locations to complete the project. I need to travel to Belgium and shoot in the snow for the Battle of the Bulge and then to go to Holland to photograph the battlefields of Operation Market Garden.

My choice of gear to shoot this project is very specific. I don’t feel comfortable shooting with a digital camera, these locations and the deeds that were done by the finest men of the United States of American deserves more than zero’s and ones, they deserve large format photography! All the images were shot on Ilford FP4 that was donated by Ilford for the project. The primary lens was a Dagor 8 1/4″.

I look forward to completing this project and printing the work all on Platinum Palladium.

My deepest gratitude goes out to the Veterans who fought in WW2. For them we owe all our thanks.

Brecourt Manor, the baptism for Easy Company 516 PIR 101st Infantry.

~David

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Background of the Day of the Dead

Resources for learning more about Death in Mexico

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This short study was all shot with the creative B&W mode. The RX10 allows you to fine tune the creative mode and I chose a +1 contrast and +1 sharpening for good measure.

The following images are fine in their own right, but when you need to crop in post, how does the jpeg file hold up? Judge for yourself.

Specifications

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Omaha Beach – Dog Green Sector

“I started out to cross the beach with 35 men,

and only 6 got to the top, that’s all”.

~Lt. Bob Edlin

Pointe Du Hoc

~President Ronald Reagan at the memorial dedication.

Utah Beach

“We’ll start the war from here”

~Brigadier General Theodore Roosevelt

Excerpt from “A Paratroopers Prayer”

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