Suspect Photography

words and images from david george brommer

Category: Suspect Photography Workshops

Don’t Subtract, Add: A Philosophy on Aging, Photography, and Life

I’m 58 years old. If my run goes to 90, which hopefully it should, I consider myself about two-thirds of the way through.Around halfway through, I started noticing a shift. Things started going away. They were being subtracted from my general perception and daily life.

At first, it’s physical markers. The home I grew up in was sold, basically erased from my life. Cars I owned were sold or totaled. my favorite pair of levi 501’s disintegrated, film stocks I loved discontinued. In my mid 20’s my hair began to thin on the top of my head, that was tough! But then came the more profound subtractions: relatives and old friends. Losing my mother was a massive subtraction. I graduated from Colonia High School in 1985, and looking back, we’ve had a sobering number of deaths and suicides. Between growing up with radon in basements and a cancer scare at the school, it feels like we paid a price, and people started dropping off. Losing one of my best friends, someone I had known since the fifth grade, was particularly tough.

Of course, while these subtractions were happening, there were major additions too. My career was budding, I was figuring out photography, becoming more secure in who I was and how I was evolving. I met the love of my life, married her, and built an incredible relationship and life. A life lived, I’m skipping so much that was gained for the sake of brevity. Now, at the two-thirds point, the subtractions really start to add up. On the scale of life, those subtractions begin to weigh heavily against the additions. Muscle mass decreases, mobility shifts, places disappear, and social circles shrink.

!+++++++-++++—+++++++–+++++++++—-+++—–+———–.

I’d rather be:

!+++++++-++++—+++++++–+++++++++—-+++–+++++-++++!

Three years ago, I made one big subtraction from my own life: I moved on from my career at B&H Photo to return to Suspect Photography, pushing our workshops and diving deeper into photographic learning. In particular, I really immersed myself in street photography. I’m very happy with where my street work has gone over the past couple of years.

That shift got me thinking about the service Suspect Photography provides and who it serves.

Arguably, my main demographic is retired boomers. They have the two tangible things needed to take a workshop: time and money. But the intangible thing they bring is a deep passion for photography. When you retire, you experience a major subtraction of daily structure, work, and routine. But getting up and getting out with your camera every day offers a powerful counterweight. Taking a workshop or traveling to places like Normandy, certain corners of Paris, or 6th Street in the Village to find hidden portholes outside the IFC Center where you can watch films from the sidewalk, those are real additions.

Walking miles on the pavement, carrying your gear, reacting to light and people, it’s an aerobic, physically fit, and mentally stimulating lifestyle. It keeps your mind sharp and your body moving.

Beyond the health benefits, there’s another lovely addition: community. It’s hard to make new friends as you get older. You usually make your core friends when you’re younger and actively engaged. But on a workshop, people share meals, walk miles together, exchange emails and phone numbers, and become real friends long after the trip ends.

When you multiply all of this with photography, the additions keep giving. First, there’s the immediate physical thrill of being out in the world, having new experiences, and making new memories. Then comes the lasting echo when you return home to edit the work, print the images, create a book, or revisit those places through your photographs years later. Ultimately, it becomes a living legacy where the work lives on long after the moment has passed.

All these additions way outweigh the subtractions we face as we age. We have to balance life’s natural subtractions with deliberate additions so we enter the last trimester of our lives fulfilled, active, and continually making new memories.

Investing in yourself, getting out with your camera, and engaging with the world isn’t just about making pictures. It’s a wonderful lifestyle to move forward with.

Don’t subtract. Add. In a world of subtractions, be the addition.

~David Brommer

PS If you are excited about these prospects, head on over to Suspect Photography Education and book yourself a workshop in a really cool place with David!

Join the Suspect Photography Retreat 2026 in the Catskills

Suspect Photography is proud to announce the return of its highly anticipated creative gathering, the Suspect Photography Retreat in the Woods, taking place from September 22 to September 25, 2026. Nestled in the heart of the scenic Catskill Mountains, this immersive four-day educational experience will be hosted at AutoCamp Catskills in Saugerties, NY, where attendees will reside in premium private Airstream cabins nestled in the woods.

This year’s event centers around the theme, “Dance in the Woods.” Attendees will have the exclusive opportunity to collaborate with a professional ballet dancer leaping through the forest canopy, along with participating in several other intricately styled editorial shoots. These sessions are designed to push creative boundaries, allowing photographers to work in complex setups and bring their unique visual concepts to life.

The 2026 retreat features a highly structured curriculum offering dedicated tracks, each led by our all-star faculty of industry leaders. This system allows attendees to deep dive into specialized fields and fast track specific goals, or they can custom choose the individual lessons they’d like to experience. These exclusive tracks include:

  • Cliff Hausner (Lighting): Harnessing strobe foundations, action-freezing flash techniques, and balancing artificial light with ambient forest conditions using the Profoto system.
  • Vincent Versace (Fine Art Printing): An exclusive, hands-on printing course and portfolio development track utilizing state-of-the-art Epson printers.
  • Chloe Ramirez (Contemporary Portraits): Focusing on human connection, organic posing, and the business architecture of modern portraiture.
  • Sean Kernan (Unlocking Creativity): Utilizing improvisational and conceptual exercises to break creative barriers and renew your artistic vision.
  • Mat Thorne (Book Creation & Design): Guiding students through the sequencing, layout, and editing required to turn a body of work into a compelling photography book.
  • Dakota Lee (Styling Photoshoots): Orchestrating the relationship between photographer and model, professional wardrobe styling, and on-set art direction.
  • Sara Fox (Landscapes & Lightroom): Leading excursions capturing the breathtaking Catskills landscape as well as Adobe Lightroom file management & processing.
  • David Brommer (Retreat Director): Leading core discussions on photographic style, curation, and helping students maximize their overall creative direction during the retreat in the woods.

To ensure a completely supportive environment, the retreat is limited to just 30 participants. Attendees will have full access to loaner gear and technical support from world-class industry sponsors, including Nikon, Profoto, Epson, Neewer, thinkTANK, and B&H Photo, whose experts will be on-site with equipment and advice. In addition to intensive classroom instruction in the forest amphitheater, the experience includes landscape excursions to the Platte Clove Preserve and the scenic Kaaterskill Falls, communal dining, Sunrise shoots, evening campfire gatherings, and wellness activities such as morning yoga.

“This retreat is designed to be a complete creative reset,” says David Brommer, Retreat Director and founder of Suspect Photography. “We remove all daily distractions so that dedicated photographers can focus entirely on refining their technical skills, developing their distinct voice, and returning home with a renewed passion and a portfolio of stunning physical prints.”

“Our faculty represents a handpicked group of instructors who are highly respected leaders in their fields,” Brommer adds. “Whether you are shaping complex light on location, designing a cohesive narrative for a book, producing physical prints, unlocking your creative vision, or building your photography business, you are getting direct, personal guidance from the absolute best in the industry.”

Registration is now open, with limited spots remaining. The fully inclusive package includes four days of instruction, portfolio critiques, styled model shoots, premium Airstream lodging, and gourmet catering.

To secure your registration, view the full curriculum, or learn more about the event, please visit the official event page at https://www.eventcreate.com/e/suspectretreatinthewoods.

Chasing the Decisive Moment: Reflections on our NYC Winter Workshop By David Brommer

There is a specific kind of silence that falls over New York City when the snow starts to come down. As a street photographer, you spend your life looking for those rare moments where the light, the subject, and the environment align perfectly. This past weekend (January 16–18), during our Passionate Street Photographer Winter Workshop, the city gave us exactly that.

Co-teaching alongside Steve Simon is always a masterclass in itself, but this year was truly unique. We were met with cold, biting wintry conditions, but the reward was a beautiful, magical snowfall that transformed the grit of the Manhattan streets into a cinematic dreamscape.

Chasing the Steam
One of the highlights of this workshop was what I call “chasing the steam.” It’s a bit of NYC lore that many visitors miss: Manhattan is the only city in the world with such a massive district steam system running beneath the streets, allowing buildings to hook up directly for heating.

For a photographer, those iconic white plumes rising from the asphalt are pure gold. They provide layers, texture, and a sense of mystery that is quintessentially “New York.” We spent time teaching the students how to use that steam to back-light subjects and create atmosphere. It was a thrill to see them master the technical challenge of metering for those ephemeral clouds against the dark, wet city streets.

An Intimate Circle of Talent
While the weather and the steam were highlights, the real story of the weekend was the group. With a total of four participants, the workshop became an incredibly intimate intensive. I’ve led many workshops, but I have to say, it was a true honor to be surrounded by such talented students. In such a small group, there is nowhere to hide—and these four didn’t want to. They leaned into the cold, pushed their creative boundaries, and showed a level of technical proficiency and “eye” that made our critique sessions some of the most vibrant I’ve ever been a part of.

Three Days of NYC Soul
We pushed the group hard, covering a massive amount of ground to ensure they saw every facet of the city’s winter personality:

Day 1: The Highs. We kicked things off in Williamsburg before a high-energy shoot at Herald Square. We ended the day at the Edge Observatory and thawed out over a fantastic group dinner at Electric Lemon.

Day 2: The Heart. We moved from the curated art of MoMA to the raw energy of Washington Square Park. The snow began to work its magic as we hit Chinatown, eventually capping the night under the golden light of Grand Central Station.

Day 3: The Icons. We focused on the “Fearless Girl” and the skeletal beauty of the Oculus, wrapping up in the vibrant streets of Nolita and the Lower East Side.

The 10,000 Photographs
We often cite Henri Cartier-Bresson’s famous line: “Your first 10,000 photographs are your worst.” This weekend, I watched four photographers fast-track their way through that count, producing work that was mature, thoughtful, and evocative.

To our four students: thank you for your resilience in the cold and for sharing your vision with us. Seeing the city through your lenses reminded me why I love this craft. I’m already looking forward to our post-workshop Zoom session to see how those snowy, steamy frames look after a final edit.

Keep shooting.

Day One and Day Three images created using Nikon Z9, 24-120 and 14-24. Day two Fujifilm X100VI was used.

What do you think of making work like this in the deep of winter? Leave a comment.

~David

Exploring NYC’s Fall Colors: A Photography Workshop

the Mall at Central Park is legendary

The Inaugural NYC Fall Colors and Shades workshop was an absolute triumph! Our class of five intrepid photographers crossed islands and boroughs, immersed in the brash display of predominantly yellow and deep red foliage that defined the season. This workshop was designed to challenge you to see the city in a new, integrated light, focusing on city parks (both large like Central Park & Governors Island, and micro-sized). We spent our days mastering two distinct and powerful aesthetics: the timeless drama of black & white and the stunning visual feast of fall color, capturing the narrative of the city through graphic lines, stark contrast, and the warm, rich hues of autumn.

Brandon Remler showed up and did our class picture in infra red

What an amazing three days! We concluded our journey through NYC’s most beautiful and compelling locations with a gallery-ready collection of stunning images. Our core focus on blending landscape and street photography allowed us to capture the quiet, timeless grandeur of Central Park’s massive oak trees, only to pivot and frame the fleeting, human moments of urban life. The assignments were met with incredible dedication, showing students expertly incorporating experimental techniques like ICM (intentional camera movement), Pans and specific concepts like thinking in triptych. 

Day One: Park Elegance and Museum Inspiration 

Using the Nikon Z9 14-24 f2.8 & 24-120 f4 made it easy to nail the “postcard” shot

Our first day was a study in classic New York elegance, beginning in Greenly Square and quickly immersing us in the golden light of Central Park. We circumnavigated the lakes, explored the iconic Bethesda Terrace, and captured the classic New York vistas. After a restful lunch, the Man Ray show at the Met provided profound inspiration, shifting our focus to stark contrast and surreal narrative. The evening culminated in capturing the warm, directional light of sunset at Cleopatra’s Needle, ending the day with dramatic, silhouette-ready images.

Day Two: Water, History, and Greenwich Village Grit 

Govenors Island is a photo composition paradise

We kicked off Day Two with a nautical adventure, sailing out from the Battery Maritime Building to Governors Island. This provided essential, clear-air perspective on the Lower Manhattan skyline and Lady Liberty—a powerful exercise in urban landscape photography. Massive oaks with turning leaves in a maritime enclave was explored with an eye for ruinism. After returning, the focus shifted to “urban park” street photography in the Village. From the vibrant life inside Washington Square Park and across the village to Tompkins Square park’s skater haven, we explored the rich character to these parks, pushing our cameras to capture the fleeting moments that define New York’s personality on a perfect fall day. After dinner at Momofuko, we all began the task of editing for the next day’s critique session. 

Fishermen in silhouette with Lady Liberty in the background. How much more NYC can you get?

Day Three: Chelsea and the Hudson River Canvas 

Little Island is a city treasure- in all seasons but Fall is very special

Our final morning began with bagels, coffee and an inspiring critique session, where the group submitted 12 final images, demonstrating huge leaps in editing confidence. Afterwards, energized, we took to the streets of Chelsea, documenting the architecture, townhouses, and creeping foliage. The afternoon was devoted to the waterfront, starting at the modern, organic architecture of Little Island and concluding with a walk on the High Line. This blend of nature and modern design provided the perfect final challenge, allowing everyone to synthesize the week’s lessons and complete the workshop with a fresh, comprehensive portfolio.

One of the assigments was to present a triptych of the days locations.

WORKSHOP GALLERY

I was pleasantly surprised at the adoption of color to my vision. I’ve been living in a black and white photography universe exclusively for the past decade when I swore off color. I really enjoyed seeking out the color of the landscape, as opposed to the contrast. I think this workshop has opened me up to a softer stance on making color work.

Washington Square Park Legend, Joey Chess

If you were concerned about my satisfaction with working in color, I did make a series of images in black and white during the three-day workshop. Yes, black and white does have its place in the fall colors. Long live the B&W image!

Having the Man Ray exhibit anchor day one was key, because one of the assignments for day two was to make an image in homage to Man Ray. It proved to be very difficult, but the class pulled through and leveled up.

We are repeating this workshop in 2026. I’m sure it will sell out, so if the above tickels your aperture, then hop on over the NYC Fall Colors & Shades 3 Day Workshop Home and seize your spot. Limited to 6 and will sell out as it’s priced with a good value.

November 6 – 8 2026

Mastering Photographic Styles: Insights from a Five-Day Workshop

I recently taught the “Finding & Developing Photographic Style” workshop for the second time, and it was a very positive experience. With only three students, the personalized instruction and individual feedback were exceptional, making it feel more like mentorship than a regular class. I am amazed by the students’ work over the five days.

Highlights of the Content and Structure:

The structure of the five-day workshop was superb, perfectly balancing inspiration, practical application, and in-depth review. The daily profiles of master photographers, such as Andre Kertesz, Helen Levitt, and Sally Mann, provided essential historical context and tangible examples of established photographic styles. This foundation made the field assignments feel more purposeful.

The itinerary was meticulously planned to maximize both learning and shooting opportunities. From the practical “Rock Leaf Tree” assignment on day one, designed to immediately engage  with editing and style deconstruction, to the stunning outdoor locations like Elmer’s Barn, Beauchamp Point, the Rusty Truck Quarry, we were constantly applying new concepts in varied settings.

Every Student got a turn at the control sticks of a DJI Mavic to explore Drone Photography.
Sending out the Drone past Beuchamp Point unlocked hitherto unavailable vistas to photograph like a Seagull at flight.

The full-day devoted to The Narrative Morning & Model Session at Vesper Hill was particularly invaluable for learning how to direct a subject while maintaining a personal vision. Some would say, the work with famed Maine Media Character Model, Peter Patton was out of this world (yes I brought up a space NASA space suit that I’ll be recycling on Halloween).

A Culture of Constructive Growth:

The most significant takeaway was the focus on real-time feedback. The regular editing and review sessions and the rigorous final edit leading up to the mini gallery showing on the final evening, instilled a strong sense of accountability and professionalism. This process helped the students hone the top images and articulate the style we were developing. I was very proud of the work in our class that the students made.

We took a deep dive into Brommer’s Six Points of Photographic Style; Attitude & Emotions, Genre, Technique, Treatment and Presentation.

For anyone serious about moving beyond technical competence to creating work with a distinctive voice, this small-group workshop is an outstanding investment. The high level of personalized attention, refined curriculum, killer locations all make for a great time while achieving photographic style. 

2026 Date is Live! This time we’re heating things up with the class from July 13-17. Unlike the quiet fall workshop at the Maine Media Campus, the summer vibe is lively with many students and renowned instructors. Join us; this workshop will fill up quickly—Mid Coast in July is beautiful.

~David Brommer

Inside the Massive No Kings Protests: A Peaceful Dissent

NYC does things big, and this march was no exception. The call was out on social media and being discussed, I actually heard about it while I was parking my Vespa on 35th street.

The “No Kings” march was a series of nationwide protests held on June 14, 2025, coinciding with a large military parade in Washington, D.C.

These protests aimed to voice opposition to the Trump administration’s policies and what they perceived as authoritarian tendencies. 

Organizers said the protests were a response to what they saw as an attempt by the Trump administration to project dominance and militarize the country. 

The protests drew large crowds in cities across the U.S. and even internationally, with organizers claiming millions participated in hundreds of events. Demonstrations took place in major cities like New York, Philadelphia, and San Francisco, as well as smaller communities. 

The protests were generally peaceful, with a focus on expressing dissent and concerns about the direction of the country. 

While the protests were not explicitly anti-monarchy, the “No Kings” name was chosen to convey the message of rejecting authoritarianism and what organizers saw as an overreach of executive power under the Trump administration. 

The timing of the protests, alongside the military parade, was meant to create a contrast between the perceived militarization of the government and the public’s desire for a more democratic and inclusive society. 

Above is a one minute 38 second video of stills mixed in with audio I recorded on my iPhone. The video was edited in iMovie.

My feelings photographing this protest were one of duty and respect. As Americans, there is something sublime to exercising your first amendment rights. The key is peaceful, and this protest march was certainly peaceful. I witnessed no aggressive or destructive behavior from my walk of 42nd street to 23rd street. There were families and many other older New Yorkers on the periphery and no counter protesting. The rain was relentless and it did not dull the numbers. I estimate 50K showed up. It was a solid mass of marchers from 42nd to 23rd for well over an hour.

Photo by Brandon Remler

I used a Nikon Z9 with 14-24 2.8 and 24-120 4.0. I had originally planned on two bodies, but the rain was really coming down and I didn’t want the extra weight. At one point I was changing lenses under a scaffolding and was quite cautious in the operation! That’s the merit of two bodies- no lens switching. Noted for next time.

~David

“I have friends everywhere”

Year One of Suspect Photography’s Rebirth- and What a Year It Has Been!


It’s been one year since I reignited the fire that is Suspect Photography and struck out on my own by leaving my position at B&H Photo after 26 years. The year, with its unexpected highs, reinforced my decision that the time was right for change and investing my efforts into what had begun all those years ago in 1993. Suspecting so much was possible when you take smart chances. Here is the year in review for Suspect Photography. 

I resigned from B&H on Halloween Day 2023, like I had started on Halloween Day in 1997 working the camera counter (where I always felt comfortable). That night I celebrated with Barbara and My Life with the Thrill Kill Kult at the Bowery Ballroom.

I started to have lunches with other teaching photographers in my network and was offered partnerships. Maine Media Workshops, which had been such an influence in my early marketing days, offered me the opportunity to lead a workshop in the fall of 2024. I began to map out a plan. I literally ‘broke the ice’ on a cold Winter weekend with my first workshop I co-taught with Steve Simon (the Passionate Photographer). An ambitious Milan workshop followed in April.

On a solo Washington Square Park Walkabout, I also met a photographer who would become a star student of mine, to prove that acorns do indeed become oaks (thank you Kim C.).

My plan entailed activating my old network and buidling & promoting some intricate educational programs such as the Spring NYC UN Workshop and a Fall Photo Retreat. Digital infrastructure and offerings were promoted and executed with live zooms and edited videos.

An online audience was growing, and websites were built while workshops went off flawlessly. Suspect Photography along with partner the Passionate Photographer sponsored a table at the International Photographers Council UN Awards Luncheon.

To see that logo alongside the best the photo industry offers, and a full table of students to share the experience with, was a momentous occasion. And all this only six months into the rebirth of Suspect Photography! (We have already filled the NYC Spring UN 2025 Workshop, but you can join the waitlist here.)

What has been truly thrilling this year has been getting to be a photographer and making work daily. It’s true that if you practice it, you will get better. It’s hard to juggle a full-time intense job and practice photography. This year was the year of photographing in the streets for me, and thus I discovered what was missing in my definition of the genre, humans in the photo.

I learned so much, and made a number of images I’m quite proud of, including one, “Personal Jesus”, that won a street photography online contest. I owe this mostly to Steve Simon, who opened my eyes and challenged me to be the photographer I wanted to be and supported my educational aspirations. I took my Street Photography practice in a formal manner not only in NYC, but to Paris, Mont Saint Michel and Milan.

The Milan 2025 workshop is live and taking deposits, so be sure to secure your spot.

I spent a hot summer in Italy continuing to plan future workshops. My north star was building a workshop and retreat that I would want to attend myself, and so Suspect Tulum, a Photo Workshop in Paradise was born!

I first went to Tulum in 1982 with my family and have returned many times since. It’s one of my favorite places on earth and I can’t wait to share it with photography lovers.

Learn More About Suspect Tulum- Photography Workshop In Paradise

I also dig the woods. Like a real lot, and have always been hiking and exploring them from the Appalachian Trail to Denali. I’m a big fan of Tree Beard the ‘Ent from the Lord of the Rings and have dreamed of creating a photo school in the serenity of the woods, so I created Suspect Photography Retreat In the Woods! I recruited the best of the best instructors and Barbara found the ultimate place to conduct the retreat, AutoCamp in the Catskills, featuring deluxe Airstreams sprinkled about pristine Mountain woods.

Expert instruction: Check! Killer Location: Check! Styled Models: Check! Workflow and a Printed Portfolio of the work- CHECK. Located in the Catskills, B&H Photo is providing shuttle service from the Super Store to Retreat and back. All the boxes are checked! Tulum has a limit of 6 students and the Retreat 25. They are filling up. Dream big, the only limit is one you set yourself.

Learn More About Retreat In the Woods

At the start of October I brought Finding and Developing Photographic Style to the Maine Media Workshops. That “acorn” I met at Washington Square Park back in January, along with a student from B&H’s Portfolio Development Program and a few new students, criss crossed across the Maine mid coast diving deep into my theories of photo style. It went so well I have been invited back. Stay tuned to the Suspect Photography Newsletter when registration goes live.

I’m spending the fall of 2024 doing photowalks and building the 2025 program. It’s very exciting. I hope you can be part of it- join a workshop or come to the Retreat. You’ll invest in yourself and have a great time.

Our complicated world can be understood with the power of images, so it truly pays to practice Photography. I can’t wait to see how the next year plays out, and I hope you can join me along the way. Did anyone say Street Photography in Paris?

David