Suspect Photography

words and images from david george brommer

Category: Finding and Developing Photographic Style

All Men Must Shoot : Valor More-Shootist

Looking Up into the Globe at Flushing Meadows Park

Looking Up into the Globe at Flushing Meadows Park


Yes, Game of Thrones inspires the title of this post. But worry not, I wont be blogging any spoilers. Actually this post has nothing to do with Game of Thrones at all, well except maybe a little regarding Winterfell, the northern kingdom that swears fealty to the Starks. In as much as Winterfell has long cold winters, they are similar to what we have gotten this year in NYC. This winter took me by a stranglehold, usually I deal with the cold pretty well, but this year I suffered creative frostbite. I was looking for a thaw, and some insight as well as further work on my style book, and I got none. Just the long winter nights.


it snowed and snowed for 22 instances this winter. 22!

it snowed and snowed for 22 instances this winter. 22!


Not that I didn’t try, I kept a camera always on the shoulder and walked with my eyes open, receiving, seeking. So as I sat back, edited and looked what the winter gave me, I was able to find a few images that I worked very hard for and I think bore some winter fruit.


James McFarley Post Office, NYC.

James McFarley Post Office, NYC.


Pure Street Shooting for me, I could not resist shooting him.

Pure Street Shooting for me, I could not resist shooting him.


Puzzle with a healthy dose of Fujifilm 35 1.4 bokeh.

Puzzle with a healthy dose of Fujifilm 35 1.4 bokeh.


More street people.. this one staying warm with a cool panda ski mask.

More street people.. this one staying warm with a cool panda ski mask.

The lesson here is one I preach all the time, keep shooting. It can be hard and uninspiring often, but you must push on and find the shot.

In Game of Thrones there is a valerian saying, “Valor Morgulis” and it translates to “All Men Must Die”. It is the tag line for the 4th season; I dedicate these winter images to the modified sentiment, “All Men Must Photograph”.


Climbing the Mountain – Thoughts on Finding Photographic Style

Rancho Los Cruces, Baja California Peninsula, Mexico. Sony RX10

Rancho Los Cruces, Baja California Peninsula, Mexico. Sony RX10

The Mountain. No, I’m not talking about a character form a George Martin novel or a Janes Addiction song. I’m talking about a vast project and desire to create something amazing. The Mountain is all the work ahead of you, all the plans, the complications, the raw effort. The Mountain soars in front of you, its height is dizzying and when you are in the shadow of the mountain the temptation to do nothing, to not try to move forward freezes you. Letting the mountain daunt you will be the equivalent of rolling over and going back to sleep, thus condemning you work to photographic mediocrity. But you are stronger; you will climb the mountain and figure out how to let your photographic voice soar in an orgy of style that will define your photography!

Adapting to the brutal winter of 2014 in NYC. Fujifilm Xpro1 18 mm f2.0

Adapting to the brutal winter of 2014 in NYC. Fujifilm Xpro1 18 mm f2.0

The way to go over the mountain of work ahead of you is actually quite easy. Take one step at a time and keep moving. I would now like to introduce you to something everyone one of us has in their pocket, The Goal Compass. Every great person who achieves something wonderful sets their goal compass and moves in that direction with little deviation. This doesn’t just apply to photographers, imagine Christopher Columbus and the mountain he had to climb to discover the new world. He needed ships, he needed sailors, he had to break a history of convention that stated what he wanted to do was impossible. The planning took over a decade, but he stayed the course and made his spot in history. He could not be deterred and every movement he made was aimed towards his goal. We are not explorers seeking the New World, we are photographers, and fortunately our goals are easier than Columbus.

However the Mountain does stand before us and it can be daunting. By setting the goal compass on plateaus to traverse you will be amazed at the creative ground you will cover. Here is style deconstructed and that which reveals a simple formula  serving as a map to travel over the mountain in the most expedient way.

  1. Master the camera and lens you are utilizing. Use a specific technique to create the image and perform specific post process treatments.

  2. Find subject manner you want to explore deeper. This is idea made reality in the camera viewfinder.

  3. Create a body of work around the subject and place by using the same camera and techniques.

The Euclidean triangle that is the base to developing photographic style. At what point on the triangle are you?

Note: This is an exert from my upcoming book on Finding and Developing Photographic Style. Want to learn more? Come to Brommer’s Style and Composition in NYC Workshop in April.


Finding Photographic Style and Composition in NYC 4 Day Intensive Workshop April 17th to April 20th

Message Man in Chelsea

Finding Photographic Style and Composition in NYC  is a four day intensive workshop to develop your style and advance your composition skills with classroom sessions, assignments, museum and gallery visits, critiques, and guided photo walks in some of NYC’s iconic neighborhoods led by David Brommer. Photographers who are looking to perfect their skills and spend every waking moment in the city that never sleeps will be taking advantage of high level instruction and techniques with an emphasis on creating a body of work that will feature their own voice. Being exposed to new visual concepts and photographs from a series of visits to selected Chelsea galleries and two iconic photo collections at ICP and MoMA, students will ultimately build a solid portfolio of images.


Classroom sessions: In this part of the program, David Brommer will deliver his two signature lectures “Finding Photographic Style” and “Composition Beyond the Rule of Thirds”  to give you the right tools to create a series of compelling images during your time in NYC. The classroom will serve as a home base, providing an environment for post processing and critique sessions, as well as working as an arena to discuss ideas and evaluate progress. The classroom sessions will be held at the photo department of New York Film Academy , a brand new facility in Battery Park  with state of the art classrooms with views of the Statue of Liberty and the port of NYC.

Photo Walks: The photo walks will explore iconic neighborhoods and landmarks including The Brooklyn Bridge, Lower Manhattan, Central Park, The West Village, Times Square and Grand Central Station. A live model will be available for one selected location photo shoot that will also feature a mini lighting workshop.

Gallery Visits: The neighborhood of Chelsea, with its more than 300 galleries, has the highest concentration of visual art per square foot on the entire planet. This experience will be a unique opportunity to visit key institutions and enjoy short gallery talks.  The itinerary will include Steven Kasher Gallery, Robert Mann Gallery, Bruce Silverstein Gallery and Clamp Art.

Final Party: The grand finale of the workshop will be the “Black & White” dinner, a party hosted by David Brommer and his wife Barbara. During the party the students will showcase their work and enjoy a “Black & White” menu of photography inspired gourmet dishes created by Barbara, (a chef and Bauhaus schooled artist).

Notes: This is an intensive workshop with lots of walking. It is not a basic class, it is intended for intermediate and advanced photographers. Class is strictly limited to 12 students. Be prepared to work hard, create dynamic photographs and grow as an artist.

Fee: The fee for the workshop is $699.00. Workshop is limited to a maximum of 12 students. The fee includes admission to ICP and MoMA and the final party.

Meals are not included, however we will be enjoying the vibrant NYC food scene.

Payments: A $200 dollar deposit is required to hold your reservation. The final balance is due March 31st. Students paying in full by March 1st receive a $50 discount for the workshop (for this option, please use the Early Bird Enrollment button to pay).

Chose your payment option from one of the three below:


Workshop Cancelled. Subscribe to this blog to find out when more will be offered.


The Workshop Reservation Deposit ($200.00) is NOT refundable. If you cancel before April 15th you will obtain the fee refund minus the deposit amount (i.e. Workshop cancellations are subject to a $200.00 fee).

If you wish to pay by check please email me directly for instructions and payment information.

Any students who wish to bring a Fujifilm X System camera will receive special love. However, any digital camera or iphone is recommended. While the Suspect does love film, it will be hard to add film to the critique sessions and receive instant feedback.

Any questions please feel free to email or ask in the comment field. Thank you and see you NYC soon.


Keep Calm and Carry Cameras II

What the Garbage Truck Sees

This is a short and sweet post, it’s about something I have said in this recent post, “always carry a camera”. You just never know when the photography gods will throw you a good image to capture. On the street, or just coming out of your bathroom. Carry that camera.

So here’s the story, on Sunday mornings I head out to La Bergamote bakery to pick up some croissants to bring back for breakfast. This trip takes me down 9th ave, and sometimes, I head east to 8th ave if I’m in the mood for bagels and lox from Brooklyn Bagel Company. Mostly though, it’s all about the croissant. I always grab my camera, because La Bergamote is in the heart of Chelsea and the architecture and tree lined streets is just perfect in so many ways. It was early on this particular Sunday morning, and cloudless. On the Corner of 22nd and 9th Avenue a Garbage truck had pulled in the corner diagonally so that its front pointed across the street instead of down the street. While a normal site on the streets of NYC, as I crossed it I noticed the windows reflected the buildings across in an interesting composition. Standing almost in the middle of the street I took some time to compose the image, falling into that tantric composition photo seeing trance through the viewfinder that only ones who love photography can understand. Time stands still, traffic matters not and in a 250th of a second it’s done. Exposure made, for better or worse or most likely, for nothing really because only a small percentage of images actually has any guts to it- destined to fall deeply into a folder on the hard drive.

Later during breakfast I did a chimping session and thought, “you know what David, you got something here…” so I downloaded the image onto my iPad and started to do my new workflow with snapseed and was quite surprised at the final edited image. I posted it on my Facebook and got loads of Likes. I’m so happy I brought the Fujifilm Xpro1 with 18mm f2.0 on that croissant mission.

before and after


Fast forward a week later, and I visited the bathroom early this morning. Of course I had the requisite iPad with me, and I was sitting there, through the door I spied the rising sun pouring through the windows and shedding light on my wife Barbara’s cabinet. Click.

 Heads greeting the morning sun.

Photography is about so much, and sometimes I just blush with happiness, when all that matters is making the image. I friend of mine recently posted a shot of her under the darkcloth of a Deardorff on Facebook, as I was writing this post I had spotted it on my feed, We had a short exchange and Kendra gets it, she said, “love it”.


Check out Kendra’s work, she shoots Tin Types and brings a wonderful aesthetic to her work. When I first met her she was shooting with a 4×5 Speed Graphic, now she’s rolling big time with a 8×10 Deardorff!  Look at those TinTypes, thats LOVE!

That’s all there is to this I guess. Carry a camera, keep calm, and love it.




The Cucoloris Monster lives in Light and Shadow – Not Sesame Street :-)

Monster Garden, Bomarzo Italy. Fujifilm Xpro 1 35mm 1.4 1/320 f 2.8 iso 200 B&W film sim mode

Monster Garden, Bomarzo Italy. Fujifilm Xpro 1 35mm 1.4 1/320 f 2.8 iso 200 B&W film sim mode


When the light pours through trees it causes a dappling of highlights and shadows on the scene and can create an interesting effect. In the movie business the grip guys use gobos with patterns cut in them and hold them up between the light source and the scene. They also will move them, so in film it appears as if the wind is blowing the foliage. They call them Cucoloris, Kookaloris, or even cookies and are used frequently.

West Village NYC  Ricoh GR IV Digital 1/60th f 5.6 ISO 200

West Village NYC Ricoh GR IV Digital 1/60th f 5.6 ISO 200

In photography we really don’t use them often, even though the same technique the grip guys use could be set up in the studio easily. More often, we run into it when shooting beneath tree cover.  The “cucoloris effect” is best used to create a dance of positive and negative shadow in your image, integrate them into your composition. They can be tricky to expose properly, best to use standard metering and adjust as needed with exposure compensation.

9th avenue NYC Fire Truck Fujifilm Xpro 1 Zeiss Tuoit 12mm 1/250th F 6.3 ISO 200 Film Sim Mode B&W R

9th avenue NYC Fire Truck Fujifilm Xpro 1 Zeiss Tuoit 12mm 1/250th F 6.3 ISO 200 Film Sim Mode B&W R


As I researched this post I realized the phenomenon is not spoken of in photography much at all, but it plays such a large part of the relationship between light and shadow. Embrace the Cucoloris, seek it out and use it to build complexity to your images.



Keep Calm, Carry Cameras. No, Really.

Message Man in Chelsea

After I posted yesterday’s blog on Street Photography as a Genre, I went out for an afternoon walk from Chelsea to Union Sq and back. I got about 2 blocks when I realized as I chose my camera to pack with me for the walk, I forgot my wallet. With a grunt and curse I turned about to return home and then I spied this perfect intersection of light with this well dressed dude in a pose seemingly meant just for me. Thank you sir. As I crossed the street, I drew my Ricoh GR IV, held it up as I slowly walked by and … nailed it.  Best shot I have taken in about a month. Thrilled. No one but the Shutter god and I knew the discreet candid photo was ever taken.

The last post was about Street Photography as genre, so I had this in mind and was playing with the camera in a whimsical “streety” way. Luckily the camera focuses extremely fast and accurately and I can apply some funky contrast B&W styles to the photo. I walked away with a image I can rely on, more confidence that I can shoot street genre, and mostly the reiteration to ALWAYS CARRY A CAMERA.

So the shot is made with Ricoh GR IV Digital and I wrote a review of it here. It’s a fine street shooter.

Genre: Street Photography

Halloween revelers get cash at Citibank.


Everyday, Opportunistic, and Spontaneous

The most popular and widely practiced genre of photography is arguably Street Photography. Street photographers walk around with stealthy cameras ready to grab candid and un-posed images. It takes dedication to build up a body of work, and days and days of shooting can yield little in interesting images and then all of sudden, something with punctum pops into the frame.

 Puppets, Milan Italy. Fujifilm Xpro 1 18mm lens B&W film simulat

In the pantheon of photography, street photographers reign. Known as the father of street photography, Henri Cartier Bresson championed the concept of what he described as, “The Decisive Moment”. This can be summed up from Bresson’s own words, “There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera.” Bresson’s concept has aged quite well even considering that HD Video and super fast capture rates has fallen in favor even with the still photographers.


Perhaps Street Photography is so widely practiced because it is so readily available. Simply walk out of  any door with your camera ready to go and the world becomes your subject. Practicing street photography can be an exuberant way of displaying photographic style but it’s own ease can be its pitfall too. Photographers run the risk of becoming bored waiting for that “Bresson Moment” to occur and let their guards down and miss the potentially great shot. Street Photography captures fractions of seconds of our society in action and can serve in a documentarian role as well as just making a great photograph. The best street photos are when multiple stories are being told and the entire frame becomes a stage for life unfolding. It is spontaneous, and patience with a camera on a street corner will be rewarded with just the right subject, secondary subjects, and actions occurring with the background you chose.

 Coney Island

Another interesting facet of street photography is that it ages well. While a street filled with current cars becomes mundane, the same street filled with 55 Buicks and 57 Chevy’s all of sudden has a nostalgic boost. The same can be said with fashions and evolving cities in the frame, these images get more interesting with time. This is a reward for those who practice the genre of street photography during thier lifetimes.

Kid on the street. Hi Contrast B&W Ricoh GRD IV

Kid on the street. Hi Contrast B&W Ricoh GRD IV

Skills: Quick Reaction Time

Technique: Zone Focus or Pre Focus

Masters: Robert Frank : Vivian Cherry : Peter Turnley : Harvey Stein : Vivian Maier : Bresson (link above). Yes there are many more, this is broad genre however I picked these to start with for historical reference and also in the case of Peter and Harvey, they are still very active and teach workshops.

Gear: Leica M system, Fujifilm Xpro system, (super high quality and small discrete size) DLSR with fast aperture prime wide lens.

I’ll be honest here, I am challenged by street photography and while I practice it, always armed with a camera when out and about, I find my best work is when I can set the shot up and influence the image.  I respect street shooters and for those just looking to get into the genre, I recommend you look at the following photographers

The above is part of a format for presenting the genre’s of photography in my upcoming book, “Finding and Developing Photographic Style”. The idea is the common genre name, followed by three words that sum up the genre, then a moderately in-depth description with photographs to illustrate. As always, I’ll take any feedback.


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