Suspect Photography

words and images from david george brommer

Tag: new-york

Chasing the Decisive Moment: Reflections on our NYC Winter Workshop By David Brommer

There is a specific kind of silence that falls over New York City when the snow starts to come down. As a street photographer, you spend your life looking for those rare moments where the light, the subject, and the environment align perfectly. This past weekend (January 16–18), during our Passionate Street Photographer Winter Workshop, the city gave us exactly that.

Co-teaching alongside Steve Simon is always a masterclass in itself, but this year was truly unique. We were met with cold, biting wintry conditions, but the reward was a beautiful, magical snowfall that transformed the grit of the Manhattan streets into a cinematic dreamscape.

Chasing the Steam
One of the highlights of this workshop was what I call “chasing the steam.” It’s a bit of NYC lore that many visitors miss: Manhattan is the only city in the world with such a massive district steam system running beneath the streets, allowing buildings to hook up directly for heating.

For a photographer, those iconic white plumes rising from the asphalt are pure gold. They provide layers, texture, and a sense of mystery that is quintessentially “New York.” We spent time teaching the students how to use that steam to back-light subjects and create atmosphere. It was a thrill to see them master the technical challenge of metering for those ephemeral clouds against the dark, wet city streets.

An Intimate Circle of Talent
While the weather and the steam were highlights, the real story of the weekend was the group. With a total of four participants, the workshop became an incredibly intimate intensive. I’ve led many workshops, but I have to say, it was a true honor to be surrounded by such talented students. In such a small group, there is nowhere to hide—and these four didn’t want to. They leaned into the cold, pushed their creative boundaries, and showed a level of technical proficiency and “eye” that made our critique sessions some of the most vibrant I’ve ever been a part of.

Three Days of NYC Soul
We pushed the group hard, covering a massive amount of ground to ensure they saw every facet of the city’s winter personality:

Day 1: The Highs. We kicked things off in Williamsburg before a high-energy shoot at Herald Square. We ended the day at the Edge Observatory and thawed out over a fantastic group dinner at Electric Lemon.

Day 2: The Heart. We moved from the curated art of MoMA to the raw energy of Washington Square Park. The snow began to work its magic as we hit Chinatown, eventually capping the night under the golden light of Grand Central Station.

Day 3: The Icons. We focused on the “Fearless Girl” and the skeletal beauty of the Oculus, wrapping up in the vibrant streets of Nolita and the Lower East Side.

The 10,000 Photographs
We often cite Henri Cartier-Bresson’s famous line: “Your first 10,000 photographs are your worst.” This weekend, I watched four photographers fast-track their way through that count, producing work that was mature, thoughtful, and evocative.

To our four students: thank you for your resilience in the cold and for sharing your vision with us. Seeing the city through your lenses reminded me why I love this craft. I’m already looking forward to our post-workshop Zoom session to see how those snowy, steamy frames look after a final edit.

Keep shooting.

Day One and Day Three images created using Nikon Z9, 24-120 and 14-24. Day two Fujifilm X100VI was used.

What do you think of making work like this in the deep of winter? Leave a comment.

~David

Exploring NYC’s Fall Colors: A Photography Workshop

the Mall at Central Park is legendary

The Inaugural NYC Fall Colors and Shades workshop was an absolute triumph! Our class of five intrepid photographers crossed islands and boroughs, immersed in the brash display of predominantly yellow and deep red foliage that defined the season. This workshop was designed to challenge you to see the city in a new, integrated light, focusing on city parks (both large like Central Park & Governors Island, and micro-sized). We spent our days mastering two distinct and powerful aesthetics: the timeless drama of black & white and the stunning visual feast of fall color, capturing the narrative of the city through graphic lines, stark contrast, and the warm, rich hues of autumn.

Brandon Remler showed up and did our class picture in infra red

What an amazing three days! We concluded our journey through NYC’s most beautiful and compelling locations with a gallery-ready collection of stunning images. Our core focus on blending landscape and street photography allowed us to capture the quiet, timeless grandeur of Central Park’s massive oak trees, only to pivot and frame the fleeting, human moments of urban life. The assignments were met with incredible dedication, showing students expertly incorporating experimental techniques like ICM (intentional camera movement), Pans and specific concepts like thinking in triptych. 

Day One: Park Elegance and Museum Inspiration 

Using the Nikon Z9 14-24 f2.8 & 24-120 f4 made it easy to nail the “postcard” shot

Our first day was a study in classic New York elegance, beginning in Greenly Square and quickly immersing us in the golden light of Central Park. We circumnavigated the lakes, explored the iconic Bethesda Terrace, and captured the classic New York vistas. After a restful lunch, the Man Ray show at the Met provided profound inspiration, shifting our focus to stark contrast and surreal narrative. The evening culminated in capturing the warm, directional light of sunset at Cleopatra’s Needle, ending the day with dramatic, silhouette-ready images.

Day Two: Water, History, and Greenwich Village Grit 

Govenors Island is a photo composition paradise

We kicked off Day Two with a nautical adventure, sailing out from the Battery Maritime Building to Governors Island. This provided essential, clear-air perspective on the Lower Manhattan skyline and Lady Liberty—a powerful exercise in urban landscape photography. Massive oaks with turning leaves in a maritime enclave was explored with an eye for ruinism. After returning, the focus shifted to “urban park” street photography in the Village. From the vibrant life inside Washington Square Park and across the village to Tompkins Square park’s skater haven, we explored the rich character to these parks, pushing our cameras to capture the fleeting moments that define New York’s personality on a perfect fall day. After dinner at Momofuko, we all began the task of editing for the next day’s critique session. 

Fishermen in silhouette with Lady Liberty in the background. How much more NYC can you get?

Day Three: Chelsea and the Hudson River Canvas 

Little Island is a city treasure- in all seasons but Fall is very special

Our final morning began with bagels, coffee and an inspiring critique session, where the group submitted 12 final images, demonstrating huge leaps in editing confidence. Afterwards, energized, we took to the streets of Chelsea, documenting the architecture, townhouses, and creeping foliage. The afternoon was devoted to the waterfront, starting at the modern, organic architecture of Little Island and concluding with a walk on the High Line. This blend of nature and modern design provided the perfect final challenge, allowing everyone to synthesize the week’s lessons and complete the workshop with a fresh, comprehensive portfolio.

One of the assigments was to present a triptych of the days locations.

WORKSHOP GALLERY

I was pleasantly surprised at the adoption of color to my vision. I’ve been living in a black and white photography universe exclusively for the past decade when I swore off color. I really enjoyed seeking out the color of the landscape, as opposed to the contrast. I think this workshop has opened me up to a softer stance on making color work.

Washington Square Park Legend, Joey Chess

If you were concerned about my satisfaction with working in color, I did make a series of images in black and white during the three-day workshop. Yes, black and white does have its place in the fall colors. Long live the B&W image!

Having the Man Ray exhibit anchor day one was key, because one of the assignments for day two was to make an image in homage to Man Ray. It proved to be very difficult, but the class pulled through and leveled up.

We are repeating this workshop in 2026. I’m sure it will sell out, so if the above tickels your aperture, then hop on over the NYC Fall Colors & Shades 3 Day Workshop Home and seize your spot. Limited to 6 and will sell out as it’s priced with a good value.

November 6 – 8 2026