Suspect Photography

words and images from david george brommer

Tag: composition

Suspect Photography Workshops: West Village Photo Walk, Saturday May 18th 2013

Village Americana

Village Americana

When it comes to charming neighborhoods, New York City’s West Village is second to none. From turn of the century carriage houses to ornate brownstones and winding little streets the West Village has a romance all its own. This photo walk will culminate in the “secret garden” which will be in full bloom and offer exquisite photographic opportunities.

Hidden gardens found and photographed.

Hidden gardens found and photographed.

David will share his secrets to photographing great compositions and teach you to spot the elements that will help you capture this colorful and eclectic New York neighborhood. An emphasis on choosing repetitive elements to seek out and photograph will be encouraged to reinforce a project based thought process. This photo walk will set a great foundation for capturing, “Sense of place” and introduce you to the full potential of your camera.

Barrow Street

Barrow Street

This Photo Walk will begin at a local Village café where David (and a few cappuccinos later) will show you how to properly set your camera’s functions to maximize this type of “street shooting”. You will also be given a “shoot list” to help you navigate and keep your vision sharp. DSLR’s, Digital Point and Shoots with override settings, and Mirrorless cameras are all welcome. Take this opportunity to learn your camera better, as David will be able to show you how to get the most out of the complex menu settings of a modern digital camera.

The lessons you will learn will be invaluable next time you are on vacation and roam about with your camera.

This West Village Photo Walk is limited to 10 attendees and runs from 9 am to noon. You are welcome to arrive at 8:30 am with a small portfolio (print or tablet is fine) to get some feedback on your photography.

This photo walk is rain or shine, and costs $79. per person. Please use the pay pal button to process the payment. Suspect Photography Workshops will gladly refund your payment in full if you cancel 3 days or more before the photo walk. Canceling two days before the day of the photo walk  will earn you a workshop credit for future workshops.

Studies in Light and Composition

Studies in Light and Composition

Entrance to the secret garden

Entrance to the secret garden

Village Chracters

Village Characters

Any questions please feel free to contact David Brommer. David has taught numerous photo walks and attendees always walk away with some great images, new photographic ideas and most of all, fun.

Remember, the limit is ten attendees and this walk is going to sell out so jump in now and reserve your spot.

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Zen, Zones, and Focal Lengths are now the new drugs.

Fuji X Pro 1, 18mm, Snapseed processed

The sublime pleasure of seeing space surrounding the self as a trained photographer is our greatest gift and pleasure. Shape, lines, shadows, highlights, objects, nuances of patterns, both similar and interrupted, the delicate ballet of balanced forms, transitions of contrast defined in air and matter while viewed in whole, then fractured and selected inside a frame, bounded by our souls perspective focal length. It is sublime when in the zone, when all those take prioritization in you vision, the camera clicks, and its done.

Fuji X Pro 1, 18mm 1/200 f 8 200 iso jpg

The sometimes and not-often secret peak of the photograph making experience is felt in a tremor of the shutter release and can be drawn out for 3 seconds or more after the exposure, this is the satisfaction sensation. You did it. You got that shot amongst a special plane of non-interest.

Fuji X Pro 1, 18mm Snapseed processed

Shooting and seeing is akin to seeking. What it is you seek may not be known to you, walking about armed with your camera and having no particular agenda. Space will reveal what is interesting, time will put your body in the right temporal position and you just might make an interesting photograph. Or you can exert heavy control and manufacture the perfect storm to capture that superlative image. Shooting in a studio makes you the great creator of light, like Lucifer and Prometheus you can encase your image with brilliant photons, be the master of the subject and set. Photographers that create in a studio assume the aspect of gods.

Fitness bill boards

Fuji X Pro 1, 18mm Snapseed processed

How can you shorten the length of mediocre image making from the creating of greater images? There is one way, and that is to make lots of images on an almost daily basis. Live in the margin of seeing, be ready to take the viewfinder as a macroscope for living in this space, here, breathing these sights, and feeling those reflections. Incorporate “often” as way of answering the question, “when do you take pictures”. Raise the camera and make exposures often.

Fuji X Pro 1 18mm 1/30 f 4 iso 400 jpg

A click is a drug and the resulting image the high. Multiple clicks lead to visible euphoria and in that fog of stimulus better images lie. Do it enough and you will find a reliable friend in f8 and a fickle friend at f 1.4. Stay shooting and 1/15 second all of sudden seems like a month. ¼  second and a year shoots by a like the Silver Surfer on speed.

Sean Kernan told me Tidd Hido said, “I think I’m addicted to the feeling of having just taken what I think is a good photograph.” Feed your addiction and makes lots of images. Embrace the “studium” and don’t bogart the camera.