Suspect Photography

words and images from david george brommer

Tag: analog

Self Assigned Projects to Cope with Difficulty

Photography is a drug, it can be your savior, a north star in times of trouble. I mean it, when you lift the camera to your eye and view the world through the view finder native troubles are sidelined and creating the image takes center stage. Recently my wife Barbara and I had to drop everything and take care of her aging mother in law in Milan. While we braced for the worst, the little lady has recovered and we are back in NYC.  

The following text is a the narration from the slide show you can view on Youtube.

This family calamity had moments of full attention and lots of down time. Using the down time to mitigate the situation would lend peace and purpose to this dark time. So I did what every self respecting photographer artist would do and make a “creative plan” that is really art therapy. Taking stock of what I had and where I would be I vowed to push myself to its completion. 

Setting parameters. 

Before leaving I took stock in front of my antique breakfront that houses my camera collection. The task ahead was a heavy one, and I wanted to reach deep down chose a camera that is challenging (requiring focus) and inspirational. Recently I swapped out straps on my gorgeous Nikon SP (the rate 2005 reissue) and I was keen to bring it into the field. It had been over a year since I ran a roll of film through the camera and it’s always a pleasure to use, the camera feels so good in the hands. What optics to bring? For Lenses would be a 35mm 1.8 and 25mm f4. Check. I also have a new iPhone 16 Pro Max I had just upgraded from my iPhone 13 so that would be my “mobile sketch book”. Check. Because I am a serious photographer and I have been so successful with my current camera set up, I packed the Nikon Z9 and the super versatile 24-120 f 4. Along with two laptops (my airbook and B&H work laptop) I stuffed it all into a Tenba back pack and along with Eisenhower my faithful Chihuahua I jetted off to Italy.  

We are staying in the Bovisa neighborhood of Milan and there is an old school film lab around the corner from the flat, “Speed Foto” that maintains a nice selection of used analog cameras they display in the window and a great selection of different films. After sorting out important health obligations I eagerly headed over to peruse what vintage cams they had and most importantly, buy a few rolls of film to shoot. I picked to something weird, Lomography “lomochrome” film in a three pack. Each roll has it’s own color funk, turquoise, metropolis, and purple. The process is C41 but I after shooting with them, I surmised they are a slide film (positive) that are maximized for C41 process making them negatives. The formula and process makes odd color shifts in different spectrums. The results are weird as you can see from the below work. 

I resolved to finish those rolls in the 12 days between flights. I felt the first roll was getting into form and getting used to the camera which is requires lots of work for urban street photography. The camera is fully manual exposure and focus. Due to its compact size, changing aperture is difficult and the view finder for these old eyes is challenging. I brought shoe mount meter, but the on switch stayed on during the flight and the button battery was dead. I resolved to go meter less and use my years of intuition to guess the exposure. A few days in I wanted to see how accurate I was and downloaded the Lux app on the iPhone. 9 times out ten I nailed it. 

The above parameters made for a very exciting photography distraction. I got to make some work, challenge my skills and focus on photography in a total way. I have a new found appreciation for how good the modern Nikon Z series cameras are. The Nikon S rangefinder system is 1950’s, my Z9 and Zf are post covid tech- 2022, a whopping 70 years of photography progress! It shows in every aspect, but I have a saying, “you have to know where you came from to know where you’re going”. The mini project fulfilled that in a profound way. I’m also happy to report that Mom is recovered and doing well. She has a bionic enhancement of a pacemaker, but her body is 1930’s. She’s like the Nikon SP and Nikon Z9 combined!

Analog – Film Photography One Day NYC Workshop + Photo Walk Sunday June 2nd


There is no doubt that vintage film cameras are cool and there is something special about shooting film in the digital age. This workshop is for those who want to connect with a mechanical camera to express photography the way it was in its heyday of the 60’s, 70’s, 80’s and even 90’s. David Brommer has never abandoned film photography and has a massive collection of “vintage users” he maintains.

  • Dates: June 2nd, 2024 9 AM-5 PM
  • Genre: Analog Street & Urban Photography
  • Group Size: Max 5 participants
  • Skill Levels: All
  • Includes: 3 rolls of film, camera rental, film processing and scanning, breakfast and post workshop group zoom.
  • Cost: $350.00

In this special one day workshop he will open up his cabinet of cameras and let you choose which one to shoot with during the day. Fancy a Hasselblad medium format? We have a red one with three lenses. A Nikon? Take your pick of SLR or Rangefinder. Want to experiment with a half frame 35mm? The Olympus Pen F is your camera. For those who want precision, grab the Contax with Zeiss lenses, or go instant with Fujifilm Instax. You may also bring a manual camera you inherited or were gifted and want to learn to use. You’ll have three rolls of film to work with during the workshop.


The focus of your day will be street and urban photography. This includes people and architecture with an emphasis on compositional elements. Film photography can be fun and surprising and each film emulsion has a look all their own. This workshop will give you a firm grasp of the basics of mechanical film cameras, exposure and composition.

Nikon FE 50mm Nikkor 1.4 Ais Fujifilm Superia 400 Converted to B&W (note the grain)


The day begins with coffee and bagels while we get a lesson on how to load film into your camera. After a quick rooftop photo op and exposure discussion, we take to the streets and head to little Island on the Hudson. Crossing the West Village we stop at the “secret garden” and continue east to the photo paradise of Washington Square Park and grab lunch. We then visit the Photo Lab 5R for a tour and workflow discussion. From there our walk continues to the Alamo and the East Village ending in Tompkins Square park. Cameras will be collected and film dropped off at our lab. Just like in the hinter years, you will get to look at your work about a week later after they have been developed, scanned and emailed to you. A few weeks later we will meet on zoom for an image review.

Nikon SP 35mm 1.8 Kodak Tri-X with Shitty Iphone Scan


Each student receives 3 rolls of film (B&W & Color Options) that includes processing and negative scanning. (Prints available at additional cost). Breakfast included, lunch on your own. Workshop is rain or shine.
2 weeks after the workshop a group zoom will be conducted with student submitted work to discuss and review. Class is limited to 5 students.


Cost: $350 Includes three rolls of film, camera rental, film processing and scanning, breakfast and post workshop group zoom.

Sunday June 2nd 9 AM to 5 PM