Suspect Photography

words and images from david george brommer

Inside the Massive No Kings Protests: A Peaceful Dissent

NYC does things big, and this march was no exception. The call was out on social media and being discussed, I actually heard about it while I was parking my Vespa on 35th street.

The “No Kings” march was a series of nationwide protests held on June 14, 2025, coinciding with a large military parade in Washington, D.C.

These protests aimed to voice opposition to the Trump administration’s policies and what they perceived as authoritarian tendencies. 

Organizers said the protests were a response to what they saw as an attempt by the Trump administration to project dominance and militarize the country. 

The protests drew large crowds in cities across the U.S. and even internationally, with organizers claiming millions participated in hundreds of events. Demonstrations took place in major cities like New York, Philadelphia, and San Francisco, as well as smaller communities. 

The protests were generally peaceful, with a focus on expressing dissent and concerns about the direction of the country. 

While the protests were not explicitly anti-monarchy, the “No Kings” name was chosen to convey the message of rejecting authoritarianism and what organizers saw as an overreach of executive power under the Trump administration. 

The timing of the protests, alongside the military parade, was meant to create a contrast between the perceived militarization of the government and the public’s desire for a more democratic and inclusive society. 

Above is a one minute 38 second video of stills mixed in with audio I recorded on my iPhone. The video was edited in iMovie.

My feelings photographing this protest were one of duty and respect. As Americans, there is something sublime to exercising your first amendment rights. The key is peaceful, and this protest march was certainly peaceful. I witnessed no aggressive or destructive behavior from my walk of 42nd street to 23rd street. There were families and many other older New Yorkers on the periphery and no counter protesting. The rain was relentless and it did not dull the numbers. I estimate 50K showed up. It was a solid mass of marchers from 42nd to 23rd for well over an hour.

Photo by Brandon Remler

I used a Nikon Z9 with 14-24 2.8 and 24-120 4.0. I had originally planned on two bodies, but the rain was really coming down and I didn’t want the extra weight. At one point I was changing lenses under a scaffolding and was quite cautious in the operation! That’s the merit of two bodies- no lens switching. Noted for next time.

~David

“I have friends everywhere”

Self Assigned Projects to Cope with Difficulty

Photography is a drug, it can be your savior, a north star in times of trouble. I mean it, when you lift the camera to your eye and view the world through the view finder native troubles are sidelined and creating the image takes center stage. Recently my wife Barbara and I had to drop everything and take care of her aging mother in law in Milan. While we braced for the worst, the little lady has recovered and we are back in NYC.  

The following text is a the narration from the slide show you can view on Youtube.

This family calamity had moments of full attention and lots of down time. Using the down time to mitigate the situation would lend peace and purpose to this dark time. So I did what every self respecting photographer artist would do and make a “creative plan” that is really art therapy. Taking stock of what I had and where I would be I vowed to push myself to its completion. 

Setting parameters. 

Before leaving I took stock in front of my antique breakfront that houses my camera collection. The task ahead was a heavy one, and I wanted to reach deep down chose a camera that is challenging (requiring focus) and inspirational. Recently I swapped out straps on my gorgeous Nikon SP (the rate 2005 reissue) and I was keen to bring it into the field. It had been over a year since I ran a roll of film through the camera and it’s always a pleasure to use, the camera feels so good in the hands. What optics to bring? For Lenses would be a 35mm 1.8 and 25mm f4. Check. I also have a new iPhone 16 Pro Max I had just upgraded from my iPhone 13 so that would be my “mobile sketch book”. Check. Because I am a serious photographer and I have been so successful with my current camera set up, I packed the Nikon Z9 and the super versatile 24-120 f 4. Along with two laptops (my airbook and B&H work laptop) I stuffed it all into a Tenba back pack and along with Eisenhower my faithful Chihuahua I jetted off to Italy.  

We are staying in the Bovisa neighborhood of Milan and there is an old school film lab around the corner from the flat, “Speed Foto” that maintains a nice selection of used analog cameras they display in the window and a great selection of different films. After sorting out important health obligations I eagerly headed over to peruse what vintage cams they had and most importantly, buy a few rolls of film to shoot. I picked to something weird, Lomography “lomochrome” film in a three pack. Each roll has it’s own color funk, turquoise, metropolis, and purple. The process is C41 but I after shooting with them, I surmised they are a slide film (positive) that are maximized for C41 process making them negatives. The formula and process makes odd color shifts in different spectrums. The results are weird as you can see from the below work. 

I resolved to finish those rolls in the 12 days between flights. I felt the first roll was getting into form and getting used to the camera which is requires lots of work for urban street photography. The camera is fully manual exposure and focus. Due to its compact size, changing aperture is difficult and the view finder for these old eyes is challenging. I brought shoe mount meter, but the on switch stayed on during the flight and the button battery was dead. I resolved to go meter less and use my years of intuition to guess the exposure. A few days in I wanted to see how accurate I was and downloaded the Lux app on the iPhone. 9 times out ten I nailed it. 

The above parameters made for a very exciting photography distraction. I got to make some work, challenge my skills and focus on photography in a total way. I have a new found appreciation for how good the modern Nikon Z series cameras are. The Nikon S rangefinder system is 1950’s, my Z9 and Zf are post covid tech- 2022, a whopping 70 years of photography progress! It shows in every aspect, but I have a saying, “you have to know where you came from to know where you’re going”. The mini project fulfilled that in a profound way. I’m also happy to report that Mom is recovered and doing well. She has a bionic enhancement of a pacemaker, but her body is 1930’s. She’s like the Nikon SP and Nikon Z9 combined!

Year One of Suspect Photography’s Rebirth- and What a Year It Has Been!


It’s been one year since I reignited the fire that is Suspect Photography and struck out on my own by leaving my position at B&H Photo after 26 years. The year, with its unexpected highs, reinforced my decision that the time was right for change and investing my efforts into what had begun all those years ago in 1993. Suspecting so much was possible when you take smart chances. Here is the year in review for Suspect Photography. 

I resigned from B&H on Halloween Day 2023, like I had started on Halloween Day in 1997 working the camera counter (where I always felt comfortable). That night I celebrated with Barbara and My Life with the Thrill Kill Kult at the Bowery Ballroom.

I started to have lunches with other teaching photographers in my network and was offered partnerships. Maine Media Workshops, which had been such an influence in my early marketing days, offered me the opportunity to lead a workshop in the fall of 2024. I began to map out a plan. I literally ‘broke the ice’ on a cold Winter weekend with my first workshop I co-taught with Steve Simon (the Passionate Photographer). An ambitious Milan workshop followed in April.

On a solo Washington Square Park Walkabout, I also met a photographer who would become a star student of mine, to prove that acorns do indeed become oaks (thank you Kim C.).

My plan entailed activating my old network and buidling & promoting some intricate educational programs such as the Spring NYC UN Workshop and a Fall Photo Retreat. Digital infrastructure and offerings were promoted and executed with live zooms and edited videos.

An online audience was growing, and websites were built while workshops went off flawlessly. Suspect Photography along with partner the Passionate Photographer sponsored a table at the International Photographers Council UN Awards Luncheon.

To see that logo alongside the best the photo industry offers, and a full table of students to share the experience with, was a momentous occasion. And all this only six months into the rebirth of Suspect Photography! (We have already filled the NYC Spring UN 2025 Workshop, but you can join the waitlist here.)

What has been truly thrilling this year has been getting to be a photographer and making work daily. It’s true that if you practice it, you will get better. It’s hard to juggle a full-time intense job and practice photography. This year was the year of photographing in the streets for me, and thus I discovered what was missing in my definition of the genre, humans in the photo.

I learned so much, and made a number of images I’m quite proud of, including one, “Personal Jesus”, that won a street photography online contest. I owe this mostly to Steve Simon, who opened my eyes and challenged me to be the photographer I wanted to be and supported my educational aspirations. I took my Street Photography practice in a formal manner not only in NYC, but to Paris, Mont Saint Michel and Milan.

The Milan 2025 workshop is live and taking deposits, so be sure to secure your spot.

I spent a hot summer in Italy continuing to plan future workshops. My north star was building a workshop and retreat that I would want to attend myself, and so Suspect Tulum, a Photo Workshop in Paradise was born!

I first went to Tulum in 1982 with my family and have returned many times since. It’s one of my favorite places on earth and I can’t wait to share it with photography lovers.

Learn More About Suspect Tulum- Photography Workshop In Paradise

I also dig the woods. Like a real lot, and have always been hiking and exploring them from the Appalachian Trail to Denali. I’m a big fan of Tree Beard the ‘Ent from the Lord of the Rings and have dreamed of creating a photo school in the serenity of the woods, so I created Suspect Photography Retreat In the Woods! I recruited the best of the best instructors and Barbara found the ultimate place to conduct the retreat, AutoCamp in the Catskills, featuring deluxe Airstreams sprinkled about pristine Mountain woods.

Expert instruction: Check! Killer Location: Check! Styled Models: Check! Workflow and a Printed Portfolio of the work- CHECK. Located in the Catskills, B&H Photo is providing shuttle service from the Super Store to Retreat and back. All the boxes are checked! Tulum has a limit of 6 students and the Retreat 25. They are filling up. Dream big, the only limit is one you set yourself.

Learn More About Retreat In the Woods

At the start of October I brought Finding and Developing Photographic Style to the Maine Media Workshops. That “acorn” I met at Washington Square Park back in January, along with a student from B&H’s Portfolio Development Program and a few new students, criss crossed across the Maine mid coast diving deep into my theories of photo style. It went so well I have been invited back. Stay tuned to the Suspect Photography Newsletter when registration goes live.

I’m spending the fall of 2024 doing photowalks and building the 2025 program. It’s very exciting. I hope you can be part of it- join a workshop or come to the Retreat. You’ll invest in yourself and have a great time.

Our complicated world can be understood with the power of images, so it truly pays to practice Photography. I can’t wait to see how the next year plays out, and I hope you can join me along the way. Did anyone say Street Photography in Paris?

David

Suspect Photography Workshop & Retreat F.A.Q.

Weather: Our workshops are rain or shine. While great weather is pleasurable, sometimes the true challenge is to create work in adverse conditions. We will also adapt to the weather by changing the schedule as needed during the workshop.

Should I bring a laptop? Yes! During the photo walks you can leave that at your hotel-home base-classroom. You’ll need it for downloading images and editing. It’s also handy to have a USB thumb drive as well.

Tripods: For Street Photography workshops you won’t need a tripod unless you expect use it for special applications. In Street Photography we favor mobility in general. For landscape and fine art workshops a tripod is recommended.

Why take a Suspect Photography Workshop? Quality, Attentiveness, and Value are the benchmarks of Suspect Photography. David Brommer brings over 30 years of event production and photo education to the table. Customer service is tantamount, YOUR experience is of uptmost importance to David. You can expect zero drama, unique aspects (such as student work being projected on the side of NYC high rise buidling at a wrap party), and also David’s wife, Barbara Brommer doing admin in the background to ensure a smooth workshop. David and Barbara are are problem solvers too, they love to take a difficult situration and make it easy.

Why are some workshops expensive? You can expect first class amenities and treatment on a Suspect Photography workshop. These come at a cost. We don’t book our students into cheap hotels, our restaurant choices are foodie level and we don’t spare expense to make sure you have a lovely place to relax after field work.

Suspect Tulum Workshop Section:

WHERE EXACTLY IS IT?

Tulum is located on the southeastern tip of Mexico, also known as Yucatan Peninsula, with the Caribbean sea to its right. Tulum is accessible via Cancun airport (CUN) 90 minutes by car) or via the new Tulum airport (TQO) 30 minutes by car.

IS IT SAFE?

Tulum is generally safe for travelers. Keep it simple and don’t travel with flashy jewelry or watches. Crime is associated with drugs, so it’s best not to try to buy any.

WHAT’S THE WEATHER LIKE IN FEBRUARY?

During February you can expect warm sunny skies with temperatures ranging from 72°F to 86°F, (22°C to 30°C) with an average high of about 81°F. Rooms have AC, but you wont need it as the breeze coming off the ocean is divine.

I DON”T LIKE CRITTERS, WHAT’S THE WILDLIFE LIKE?

Despite being near the jungle, there are no mosquitoes or insects. The biggest wildlife surprise are the lizards that hang out in the archeological sites, they are innocuous and will gladly pose for photos.

I’M PICKY WITH FOOD, WILL I BE ABLE TO ENJOY THE LOCAL CUISINE? CAN I DRINK THE WATER?

The restaurant scene is comparable to the one in NYC for quality and variety. The restaurants all use fresh local produce and protein, making it flavorful and authentic with a sophistication that makes it unique. Vegetarians will rejoice at the many options, and omnivores will fall in love with the open fire kitchens. There’s truly something for everybody’s palate.

You can brush your teeth with the bathroom water, there is a jug of filtered water changed daily in each room and bottled water is available just across the street in the many convenience stores.

I’M BRINGING PHOTO GEAR, HOW’S THE HOTEL SECURITY? AND WHAT ABOUT OUTSIDE?

The hotel has a security team at the entrance and in all the public areas (restaurant, bars, beach) to ensure only guests are allowed on premises. The hotel beach is roped off and security is always present so there is no access for non guests.

Each room has a lock & key safe, it is not big but it fits comfortably 2 camera bodies, three lenses and a laptop.

I’M NOT AN ATHLETIC TYPE, WILL I BE ABLE TO KEEP UP WITH ALL THE EXCURSIONS?

Expect long walks, on the beach or on the streets. If you are not a swimmer, you will still be able to enjoy the Cenotes experience since they are all located in the jungle, with plenty of photo opportunities. There is no climbing, even the ruins are all on flat terrain. You should pack very comfortable shoes, or sandals (that you can walk with) for the beach.

WILL THERE BE CHANCES TO VISIT LOCAL STORES?

There are two main areas where to find local stores: the main road in the Hotel zone, which is lined with trendy, fashionable boutiques with everything from jewelry to clothing to accessories, and the downtown area, populated with typical Mexican artifacts and souvenir merchants. During our photowalks we will have ample time to visit the local stores and meet some of the artisans.

IS IT TRUE THAT THERE’S A WILD PARTY SCENE GOING ON?

While there are surely many opportunities to party, the scene is not that wild, some restaurants will have dj nights (after 10PM), and dj sessions at brunch, (Fri to Sun). The vibe is very vibrant with music and dance, but it’s far from invasive. Our hotel is on the beach, so you will fall asleep with the sound of waves, not the latest hits.

I DON’T SPEAK SPANISH, HOW WILL I COMMUNICATE WITH THE LOCALS?

Tulum economy is based on hospitality, English is spoken everywhere, from the hotel personnel to the local taxi drivers.

Photography at the Cenote?

The Cenotes are in the middle of the jungle, so you can shoot local flora and fauna freely. When we swim in the actual Cenote, you’ll need a water proof camera. Since the depth will be minimal, you can don’t have to invest in a elaborate housing. There are several options from an Olympus Tough Camera to a inexpensive Kodak Pix Pro. Having one of these on hand for beach and surf use is also great.

Have a question? Email david@davidbrommer

More FAQ’s coming soon!

Suspect Photography LLC Workshops & Retreat Cancellation and Refund Policy

We understand sometimes things happen and you have to cancel your event with us. We have two options to help you based upon the notice you give us. Please see below.

Domestic & International Workshops
For cancellations received 91 or more days prior to the workshop start date Suspect Photography will refund 50% of the deposit amount.

There are no refunds of deposits or balances within 90 days of the workshop start date.

If you cancel within 90 days of the workshop, you may find someone to take your place, but are still liable for the full event fee. It is your responsibility to collect any reimbursement from your replacement.

International Workshops
Tulum Mexico 2025 Policy: 50% Refund up to November 1st, 2024. No Refunds after November 1st. You may find someone to take your place, but are still liable for the full event fee. It is your responsibility to collect any reimbursement from your replacement.

Refund will be given within 10 days of notification of cancellation.

Please email david@davidbrommer.com or use the below form for cancellation.

← Back

Thank you for your response. ✨

Suspect Photography Assignment- Street Photography in the Tradition of Henry Cartier Bresson

Peter Pickering added as editor! Read below for details!

The Britannica Definition:

Street photography, a genre of photography that records everyday life in a public place. The very public nature of the setting enables the photographer to take candid pictures of strangers, often without their knowledge. Street photographers do not necessarily have a social purpose in mind, but they prefer to isolate and capture moments which might otherwise go unnoticed.”

Henri Cartier-Bresson was a French artist and humanist photographer considered a master of candid photography, and an early user of 35mm film. He pioneered the genre of street photography, and viewed photography as capturing a ‘decisive moment’.

I have been contemplating the relationship between Travel Photography and Street Photography for a few years now. Traditional travel photography that bases itself on “Sense of Place” (as explained by my mentor Bob Krist), benefits tremendously from the addition of “Street” technique. By imbuing “Rhythm of Place” (as stated by Steve Simon) with a human element, you achieve a high level photograph. I also believe that a stern practice of both Street and Travel will produce an extremely interesting body of work! Essentially, placing the human condition into the city/landscape and capturing the perfect exposure that requires timing and command of Bresson’s “Decisive Moment”.


This year, Steve Simon and I have been teaching many Street Photography workshops, and I’m very excited to share what I’ve learned by critiquing your images. This assignment, will also present an excellent primer for those who are unfamiliar with street photography.


Instructions to submit an image to the review:

You may upload ONE image that fits the above criteria as Street Photography in the Tradition of HCB.
Upload ONE 2-5 mb jpeg. Images must follow this naming convention: firstname_lastname.jpg ie: david_brommer.jpg and not have a water mark. Images will only be used for a one time recorded critique. By following the naming convention you will receive credit for your work in the form of a shout out during the review.

DEADLINE TO SUBMIT IMAGE IS JUNE 14TH.


The reviewers will choose their “Best in Class” and the winner will receive a $150 Discount to any of the upcoming Suspect Photography workshops.

Peter Pickering, the Australian Photographer who is the founder of the popular street photography Facebook group, “Street Photography Cartier-Bresson Inspired” has agreed to come on as a photo editor of the upcoming Suspect Photography Assignment/critique. Peter Pickering will be choosing 10 submitted images for Steve Simon and David Brommer to discuss live on Zoom and recorded to Youtube.

Ora E Sempre Resistenza! Marching with the Jewish Brigade in Milan on Liberation Day

Last week, in Milan, I had the honor to participate as a photographer at the Liberation Day Parade that celebrates the end of the oppression of Italians from fascism during WW2. I didn’t really know what I was getting into and decided I would experience this massive display as it played out, with my trusty Nikon Z9 in hand, along with Steve Simon and Ugo Cei, as we lead 6 other photographers as part of our Milan Street Photography Workshop.

The march was massive with many thousands stretching blocks long.


We emerged from the Milan Subway at the start of the parade among throngs of shouting Italians celebrating the release from the grips of the Nazis, complete with many signs and symbols of various Italian political parties. We broke into small groups and inserted ourselves into the fray, me, with a tall So Cal/Arizona photographer and Klaus, an older German photographer from Munich. As chance would have it, we started to walk the route of the parade among the “Brigata Ebraica” or Jewish Brigade. This fit me well as a contrary element of pro Palestinians were expected. I asked my fellow photographers to pull me out of the conflict if it erupted as I have little sympathy for Hamas or those who support their agenda. (I stand with my Jewish brothers and sisters). I didn’t want to get into a fight, my goal was to document.


Here is what I saw- we walked at an easy pace, the Brigade was comprised of Jewish and Jewish sympathizers. They marched peacefully in groups, typical older jews and younger ones. No orthodox nor hassids, they were indistinguishable from regular Italian society.

Passion for Israel!

Fully integrated. However what set aside the Jewish Brigade from the other political groups marching was they had a large security detail of “City Angels” The City Angels group are an independent, multiethnic, gay-friendly and anti-racist group of street volunteers, founded in 1994 in Milan by Mario Furlan and they formed a cordon around brigatta. The Angels were very similar to Curtis Sliwa’s Guardian Angels, complete with red satin jackets, combat boot and blue berets. They took their charge serious, and locked hands to ensure the Jews of Italy could march safely on the look out for antisemites and other malcontents. I salute the City Angels.
There I was, marching alongside my tribe and all of sudden I realized I wasn’t just a photographer covering the event, I was part of the event. At my side was the older German Photographer Klaus, and as he stumbled I caught him. The realization was profound. My pride bristled, and as a self proclaimed Neo Pagan I felt my Jewish blood rise, feeling the call of my ancestors. Jewish sympathizers guarding us, Italian citizens respecting us, and then we came across small groups of pro-gazans who were vocal, but that was all. Not violent, just words being flung about in Italian. Young Arabs and a minority of mislead left leaning Italians who were sidelined by the vigilant protection of the City Angels.

A full platoon of City Angels


The Jewish Brigade marched on, with black signs of the names of Nazi concentration camps, banners saying, “Free the Hostages” and images of the atrocities faced by the jews and chanting, “Ora E Sempre Resistenza”- Now and Forever- Resistance. I found my self joining in the chant. Even as I write this my hands shake in the recollection.


Ora E Sempre Resistenza! I recall how my father, who kept a round JDL pin of a boot stomping a swastika and the words, “Never Again”. How he would have felt pride in this march. These are my words, this is what I saw, and this is what I photographed.

Sons and daughters of survivors
The march ended at the Doumo
The “two state solution” being supported
Thank you City Angels

We plan on returning next year to lead a workshop again, and certainly I will join the Jewish Brigade and march the Liberation parade with camera in hand. You find family in the oddest places I suppose.

Ora E Sempre Resistenza!