Suspect Photography

words and images from david george brommer

Category: Tuscany

Two Day Workshop in Cortona, Italy August 23rd and 24th at Cortona On The Move Photo Festival

Doors of Tuscany Shot with Lensbaby

Doors of Tuscany Shot with Lensbaby

Cortona is a photogenic medieval hilltop city located in the south of Tuscany that is a photographers paradise. So much in fact, that three years ago a group of enterprising young photographers created the Cortona On The Move Photo Festival to showcase photography themed around travel and movement. The festival features exhibits, talks, portfolio reviews, contests, and workshops spread out through the winding alleyways and squares. The exhibits are in old hospitals, wince cellars, churches and other antique locations. Visitors get a map and while exploring the city, get to view a seriously curated assemblage of todays top contemporary photography as it relates to travel and the concept non-static photography.

presskit

For over a decade I have been visiting this corner of the world (I was married to Barbara in Cortona in 2003 as matter of fact, we are celebrating our TEN year anniversary-I love you Barbara <3) and photographing with different techniques. The location is enchanting, and with the festival firmly routed in the city, all the more interesting.

Cortona view of the Vale shot with Fujifilm Instax

Cortona view of the Vale shot with Fujifilm Instax

This year, I proposed a two day workshop to help photographers view this city with an eye for advanced composition. If you are looking into a trip this summer, you simply can’t go wrong with COTM and a visit to Tuscany. Here are the details for the workshop:

Detail of rear of Church 8x10 Camera 14" Kodak Ektar Lens

Detail of rear of Church 8×10 Camera 14″ Kodak Ektar Lens

COMPOSITION IN CORTONA: BEYOND THE RULE OF THIRDS

Digital cameras can practically do it all, but what they can’t do is adjust for good composition, a fundamental quality of a great image.  Ironically, the technological wonders of the digital era have  made some of us blind to seeing photographs as art, and although the latest digital cameras may be able to perform in almost any light, if you can’t “see” the shot, then you won’t capture a memorable image.

Cortona on the Move festival will host American photographer David Brommer for a special two part seminar. The first part, an afternoon lecture and slide show of Brommer’s popular, “Better Photographic Composition – Beyond the Rule of Thirds” program where Brommer will cover the basics of composition and then go further into more complicated compositional elements. Directly following this presentation will be a review of students work. The class will resume the next morning for a photo walk in Cortona where you will get to put what you just learned to practice.

This seminar is ideally suited for those with a basic understanding of photography but wish to advance their skills by learning compositional fundamentals and techniques that will dramatically improve their images.
MATERIALS: Attendees may bring up to 5 of their best images for review on a USB thumb drive for the Friday session. For the photo walk on Saturday, attendees are recommended to bring a Digital SLR with wide to normal angle lenses, a fully charged battery and memory cards. Tripods are not recommended as this is a photo walk, however comfortable sneakers are a must. We will be covering a lot of ground on old cobblestoned streets.

 DATES: August 23rd 4 pm to 7 pm  (class room session) and August 24th 7 am to 10 am (Cortona photo walk)

COST: 125€

The organization of the Festival will help the participants to find affordable accommodations.

To enroll, make a bank transfer to:

Associazione Culturale ONTHEMOVE
Banca Credito Cooperativo
Iban: IT 66 N 084 8925 4010 0000 0361 220

Info: workshop@cortonaonthemove.com

I will conduct the class primarily in English, however a translator will be on site. I hope to see some of my American friends, or make new acquaintances in Cortona.

~David

Finding Photographic Style In Italy

Vespa rider in Milan

Achieving photographic style and understanding the traits that make imagery posses its own distinguishable idiom that resonates with the photographers voice is a daunting and difficult artistic undertaking. As each devotee explores photography and builds their visual vocabulary inevitably certain photographers will rise to the top. Highly crafted and odd works by Joel Peter Witkin, Perfect landscapes of Ansel Adams, snippets of time expertly caught by Bresson, they all share their own unique photographic style that differentiates and identifies the photographer to the photograph. There are many more of course, but those three come to mind as evoking strong, and yet vastly different styles. I’ll invite you later to watch a two hour lecture where I delve deeply into the anatomy of photographic style but this moment I want  to show off an exercise if you will, a self assignment that I give myself every summer for the past decade.

Palazzo Vecchio

Palazzo bucolic, Florence

Every year my wife Barbara and I spend our vacation in Tuscany. We have this wonderful home that was Barbara’s grandmothers and has been in her family ever since. The back room is used as a dark room, and there is even a “camera ready room” for coating cyanotypes, loading film holders, and organizing gear for shoots. This photo “mini” project starts in Milan, and then migrates to a small village below Cortona. For a decade now I have spent weeks of my summer in this bucolic medieval countryside and the narrow streets of hill top towns.  I have shot sun flowers (warning: an August trip is a bit late for sun flowers, if you are into shooting them, then I suggest a early July visit), cipressi trees, castles, farm houses, and graveyards. In many ways it’s a photographic paradise and the hordes of tourists with all manner of cameras will surely stop and shoot these unique characteristics.

Florence Duomo

Florence Duomo or The Basilica di Santa Maria del Fiore aka Florence Duomo

I am interested in having my vision standing out from the crowd. I seek to create images that capture the subject, yet show it in a way that is uncommon and unique. I have to look deeply into my photographic skill set, decimate the technique, subject matter, capture, post process and imagine a way to complete the project with a single voice. It’s hard work and for me, I had to really delve deeply and think about it.

vicolo in Cortona

VIcolo in Cortona

In the past, I have worked on projects such as “Italy Looking Up” where I only shot aiming the camera upwards. No straight on shooting what so ever. I have shot “Adams” style large formate with my Deardorff 8×10, Lensbaby and 35 mm film, Toy Camera with a Black Bird Fly, Nikon Rangefinder with Ilford XP2, and Hasselblad 2 1/4 color print. The project “Instant Italy” was captured using Fujifilm Instax cameras exclusively. By creating sever restrictions on gear you can emerge with a unique style, simply because your confined to something that allows less visual options.

Cortona

Cortona

This year I resolved to shoot with my new and trusty Fujifilm X Pro 1. I would get a chance to explore the nuances of the 35 mm 1.4 and of course, old faithful, the 18 mm 2.0. On the road to photographic style, shooting with primes or limited focal lengths add a common visual denominator, that of the angel of view. No sloppy zooming back and forth here… its either wide or normal view. If I can’t get close to a detail, then its going to be small in the frame.

Galleria Vittorio Emanuele II, Milan

I also decided to make a dramatic choice that would really effect the way I composed my images, I set the camera aspect ratio to 1:1. I’d be working in square format, like my beloved red Hassy. I would also assign a B &W or monochrome film simulation mode. This also means I would be capturing less information on each picture I took. The files went from being 45.7 megabytes to 15.2 megabytes under these setting parameters. I know, I could shoot Raw and have both the big fat files and also the smaller “assignment style” files, but I like to live on the photographic edge.

Either I make this work or I have nothing. I love drama, so the B&W film mode I used most often was the B&W Red filter.

Snack cart, Milan

Snack cart, Milan

It’s not easy to shoot this way, by not falling back on Raw + Jpeg capture you are showing a level of conviction on shooting using a specific technique. Square and B&W however is an interesting choice, because a perfect square is geometrically pleasing and lets face it, B&W is cool like the Fonzie.

Rock and Roll

Rock and Roll

Time was limited, and I had other projects also on the burner. I thought about how the technique could apply to more specific subject matter, like hands, or people. In Camucia, on Thursday mornings the market attracts lots of genuine local flavor. In particular is a vendor who I call Senor Porchetta. His porchetta wagon always has a long line of bustling Tuscans getting their porchetta fill. He is jovial, equally good with pig or knife and knows his fegatini like Silvio Berlusconi knows a 17 year old.

Senor Porchetta

Senor Porchetta

Hands in the Cortona Market

Hands in the Cortona Market

I can’t recall the name of the photographer who said, “if you’re not sure, get closer”, but they were was certainly on to something. Engage your macro, and come in close. I love the macro on the 18 f2.0 is 7.09″ (18 cm) as compared to the 35 f1.4 which is 11.02″ (28 cm), the 18 lets you get in a little closer, but beware, the lens takes in a lot of the scene.

Detail of locks on the Ponte Vechio, Florence. Shot with 18mm f2.0.

Moms sewing kit in the Casa Tuscana.

Mom’s sewing kit in the Casa Tuscana, 18mm f2.0

Fujifilm also has a macro 60mm 2.4. I’ve yet to test this one, but as I continue to work with the 35 1.4 I’m sure to add it to the arsenal later in the year.

35mm 1.4 with a 200% crop

If you have read this far and are liking these images and wish to develop your style or just hear more ranting from me on style, here is a link to the 2 hour program on Youtube, “Finding Photographic Style” recorded in the B&H Event Space this year.

Cortona Cops

Cortona Cops

I also brought my Speed Graphic 4×5 on this trip loaded with Fujifilm Acros to do some cyanotype work. But thats a post for another day.

Ciao!

~David George Brommer

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